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AD 0163
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AD 0163
Chamber Music (Polish) - KILAR, W. / MALECKI, M. / CZARNECKI, S. (Back to Melody) (OPiUM String Quartet)

Chamber Music (Polish) - KILAR, W. / MALECKI, M. / CZARNECKI, S. (Back to Melody) (OPiUM String Quartet)

Released Date:
01 Mar 2012


Artists:

OPiUM String Quartet

Ensemble

Radoslaw Nur

Soloist

OPiUM String Quartet



Record Label
CD Accord

Genre:

Chamber


Classical

Total Time - 56:43
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Chamber Music (Polish) - KILAR, W. / MALECKI, M. / CZARNECKI, S. (Back to Melody) (OPiUM String Quartet)

     
Select Complete Single Disc for
     
 

KRZYSZTOF URBANSKI

1 

Orawa (arr. K. Urbanski)

8:58
  OPiUM String Quartet Ensemble
     
 

MACIEJ MALECKI

 

Polish Suite

 
2 I. Capriccio 5:54
  OPiUM String Quartet Ensemble
     
3 II. Scherzo 3:02
  OPiUM String Quartet Ensemble
     
4 III. Melodia 5:29
  OPiUM String Quartet Ensemble
     
5 IV. Krakowiak 5:41
  OPiUM String Quartet Ensemble
     
 

SLAWOMIR CZARNECKI

 

String Quartet No. 2, Op. 33, "Spis"

 
6 I. Lento 3:44
  OPiUM String Quartet Ensemble
     
7 II. Allegro 4:16
  OPiUM String Quartet Ensemble
     
 

MACIEJ MALECKI

 

Andante and Allegro

 
8 Andante sostenuto 9:47
 Radoslaw Nur Soloist
     
9 Allegro molto 9:52
 Radoslaw Nur Soloist


This album is not only the debut of OPiUM String Quartet, but also the first-ever recording of three out of the four presented compositions: those by Maciej Malecki and Slawomir Czarnecki, which have never been released on record. These world premieres are complemented by the popular old favourite – Wojciech Kilar’s Orawa, originally written for string orchestra, but arranged here for string quartet by Krzysztof Urbanski. Orawa, inspired by highlander folklore, sets the tone for the whole album. For the project “Back to Melody”, the four musicians selected pieces by three contemporary composers, evidently inspired by folk tradition, with a fullness of expression typical of that tradition and, in some cases, a nostalgic melody, combined with the exuberance of folk rhythms and dances. All the four compositions preserve the spirit of folk music, not only Polish, but also (in Malecki’s work) – Jewish, and these folkloric features make it possible to arrange them into a coherent, attractive whole, whose distinct character derives from the different moods and colours of the individual pieces.
 
Beata Boleslawska-Lewandowska
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