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AD 0179
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AD 0179
Flute Recital: Janik, Urszula - DEBUSSY, C. / IBERT, J. / POULENC, F. / FERROUD, P.-O. / JOLIVET, A. / MESSIAEN, O. (Colours of a Flute)

Flute Recital: Janik, Urszula - DEBUSSY, C. / IBERT, J. / POULENC, F. / FERROUD, P.-O. / JOLIVET, A. / MESSIAEN, O. (Colours of a Flute)

The Classical Shop
release date: October 2012

Originally recorded in 2012

Artists:

Urszula Janik

Soloist

Joanna Kaczmarska-Biezynska

Soloist

Record Label
CD Accord

Genre:

Chamber


Classical

Total Time - 53:30
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Flute Recital: Janik, Urszula - DEBUSSY, C. / IBERT, J. / POULENC, F. / FERROUD, P.-O. / JOLIVET, A. / MESSIAEN, O. (Colours of a Flute)

     
Select Complete Single Disc for
     
 

CLAUDE DEBUSSY

1 

Syrinx

2:09
 Urszula Janik Soloist
     
 

GUSTAVE SAMAZEUILH

2 

Prelude a l'apres-midi d'un faune (arr. G. Samazeuilh for flute and piano)

10:02
 Urszula Janik Soloist
     
 

JACQUES IBERT

3 

Piece

4:41
 Urszula Janik Soloist
     
 

FRANCIS POULENC

 

Flute Sonata, FP 164

 
4 I. Allegro malincolico 4:22
 Urszula Janik Soloist
     
5 II. Cantilena: Assez lent 3:54
 Joanna Kaczmarska-Biezynska Soloist
     
6 III. Presto giocoso 3:27
 Urszula Janik Soloist
     
 

PIERRE-OCTAVE FERROUD

 

3 Pieces

 
7 No. 1. Bergere captive 2:05
 Urszula Janik Soloist
     
8 No. 2. Jade 1:43
 Urszula Janik Soloist
     
9 No. 3. Toan-Yan, la fete du double cinq 4:13
 Urszula Janik Soloist
     
 

ANDRE JOLIVET

10 

Chant de Linos

11:11
 Urszula Janik Soloist
     
 

OLIVIER MESSIAEN

11 

Le merle noir

5:43
 Urszula Janik Soloist


Recorded songs on this album of Debussy, Ibert, Poulenc, Ferrouda, Jolivet and Messiaen takes us on a fascinating journey through the French music of the first half of the twentieth century, inspired by mythology, nature, life and above all, a rich color palette of the flute. They belong to the canon of repertory of performing concert flutists. A testament to the great admiration of French composers for the instrument, illustrating changes in the use of its technical capabilities and sound. This interest has been aroused at the end of the nineteenth century, intensive development of the native flute school, whose father was Claude-Paul Taffanel, and coincided with stylistic modernist aesthetic explorations, including a focus on color as a primary element of form-in music.
 
Alexander Drum
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