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AJ 0183
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AJ 0183
Rossi, Mazzocchi, Carissimi: Il tormento e l'estasi

Rossi, Mazzocchi, Carissimi: Il tormento e l'estasi

The Classical Shop
release date: July 2014

Recorded in 24 Bit / 88.2Khz
album available as a Studio File

Artists:

Los Músicos de Su Alteza

Performer

Luis Antonio González

Performer

Record Label
Alpha

Genre:

Baroque




Total Time - 64:09
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Rossi, Mazzocchi, Carissimi: Il tormento e l'estasi

     
Select Complete Single Disc for
 

LUIGI ROSSI

 

Un peccator pentito, cantata à 5

 
1 I. Mi son fatto nemico 10:40
2 II. Taci, mal cauto, taci 2:56
3 III. Colpe mie, venite a piangere 4:37
4 IV. Comparir voi non osate 2:33
5 V. Vedete che quel Grande 4:31
6 VI. Inteneritevi, petti crudeli 2:21
     
 

DOMENICO MAZZOCCHI

7 

Pentito si rivolge a Dio, aria à 3

3:31
     
 

BIAGIO MARINI

8 

Passacaglio

4:45
     
 

GIACOMO CARISSIMI

 

Jephte, oratorio à 6

 
9 I. Cum vocasset in proelium 4:45
10 II. Cum autem victor Jephte 5:15
11 III. Cum vidisset Jephte 5:59
12 IV. Abiit ergo in montes 5:46
13 V. Plorate filii Israel 6:30
     
 Los Músicos de Su Alteza Performer
 Luis Antonio González Performer


 Los Músicos de Su Alteza has since the release of its first two albums on Alpha (Samaniego – Alpha 153 & Nebra – Alpha 171) established a reputation as the champion of unjustly forgotten Spanish music.

 
In this new recording based on the themes of Torment and Ecstasy dear to the baroque mind, Luis Antonio González provides us with a selection of works that are as unexpected as they are unknown, tying everything together in the end with a masterpiece by Carissimi: Jephte.
 
The musicians breathe new life into 1640s Rome and all the emotions conveyed by the Cantatas on this recording: sin, guilt, regret, penitence, punishment, supreme joy, ecstasy and glory... This is a haunting album on which the artists take the link between text and music to a new jubilatory high as well as a great illustration of the harmonic wealth that played a determining role in the history of musical expression in general, and the first baroque period in particular
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