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AJ 0185
Charpentier: Leçons de ténèbres

Charpentier: Leçons de ténèbres

The Classical Shop
release date: July 2014

Recorded in 24 Bit / 88.2Khz
album available as a Studio Master

Artists:

Stephan MacLeod

Performer

Arte dei Suonatori

Performer

Alexis Kossenko

Performer

Record Label
Alpha

Genre:

Baroque




Total Time - 65:40
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Charpentier: Leçons de ténèbres

     
Select Complete Single Disc for
 

MARC-ANTOINE CHARPENTIER

     
1 

Offerte pour l'orgue et pour les violons flutes et hautbois, H. 514

2:35
     
2 

Antiene pour les violons flutes et hautbois a 4 part., H. 532

1:46
     
3 

Symphonie en G Ré Sol Bmol a 3 flutes ou 3 violons, H. 529

2:54
     
4 

Ouverture pour le sacre d'un Evesque pour les violons flutes et hautbois, H. 536

3:31
     
5 

Après Confitebor, Antienne D La Ré Sol Bquarre, H. 516

2:30
     
6 

Pour plusieurs martyrs, motet a voix seule sans accompagnement, H. 361

4:02
     
7 

Pour un reposoir, ouverture dez que la procession paroist, H. 523

2:20
     
8 

Ouverture pour le sacre d'un Evesque pour les violons flutes et hautbois, H. 537

3:59
     
9 

Offerte non encor exécutée, H. 522

3:04
     
10 

Ouverture pour l'Eglise, H. 524

2:00
     
11 

Antiene, H. 526

2:15
     
12 

Pre leçon de ténèbres du Mercredy St pour une basse, H. 120

11:43
     
13 

Pre leçon de ténèbres du Jeudy St pour une basse, H. 121

11:47
     
14 

Première leçon de ténèbres du Vendredy Saint pour une basse, H. 122

11:14
     
 Stephan MacLeod Performer
 Arte dei Suonatori Performer
 Alexis Kossenko Performer


In France, during the reign of Louis XIV, the religious service known as Tenebrae was one of the most distinctive ceremonies in the liturgical year. Gradually, in the course of the office, the candles were extinguished, recalling the darkness that covered the earth when Jesus died on the cross.

Charpentier composed Tenebrae settings throughout his career, thirty-one lessons in all. The three presented here, written for the Wednesday, Thursday and Friday of Holy Week, are scored for a solo bass voice, accompanied by an orchestra composed of recorders, oboes, strings, bassoon and organ. After the success of Vivaldi’s Concerti per il flauto traversier (Gramophone Editor’s Choice), flautist and conductor Alexis Kossenko, rising star of the younger generation of Baroque musicians, and the fine ensemble Arte Dei Suonatori present a new vision of this highly dramatic work by Marc-Antoine Charpentier.

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