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AJ 0190
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AJ 0190
Vivaldi: Per l'orchestra di Dresda

Vivaldi: Per l'orchestra di Dresda

The Classical Shop
release date: July 2014

Recorded in 24 Bit / 44.1Khz
album available as a Studio File

Artists:

Alexis Kossenko

Performer

Les Ambassadeurs

Performer

Record Label
Alpha

Genre:

Baroque




Total Time - 66:03
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Vivaldi: Per l'orchestra di Dresda

     
Select Complete Single Disc for
 

ANTONIO VIVALDI

     
 

Concerto for Violin, 2 Oboes, 2 Horns, Cello, Bassoon, Strings and Basso Continuo in F Major, RV 569

 
1 I. Allegro 4:45
2 II. Adagio 2:34
3 III. Allegro 4:54
     
 

Concerto for Violin, 2 Oboes, 2 Horns, Bassoon, Strings and Basso Continuo in F Major, RV 568

 
4 I. Allegro assai 4:28
5 II. Largo 4:45
6 III. Allegro assai 4:06
     
 

Concerto for Violin, 2 Oboes, 2 Horns, Cello, Strings and Basso Continuo in D Major, RV 562 « Per la Solennità di San Lorenzo »

 
7 I. Andante – Allegro 5:19
8 II. Grave, adagio 3:51
9 III. Allegro 7:25
     
 

Concerto for Violin, 2 Oboes, 2 Horns, Bassoon, Strings and Basso Continuo in F Major, RV 571

 
10 I. Allegro 4:08
11 II. Largo, adagio 2:28
12 III. Allegro 3:26
     
 

Concerto for Violin, 2 Oboes, 2 Horns, Cello, Bassoon, Strings and Basso Continuo in F Major, RV 574

 
13 I. Allegro 4:18
14 II. Grave 3:38
15 III. Allegro 4:02
     
16 

Concerto for Oboe Solo and Basso Continuo, RV 568: Mouvement lent alternatif in F Major, grave

1:56
     
 Les Ambassadeurs Performer
 Alexis Kossenko Performer


 Les Ambassadeurs launch a series of recordings devoted to the repertory of the Dresdner Hofkapelle at the time of Bach, with the aim of rediscovering the splendid sound of an ensemble then regarded as the orchestral ideal. The ties of friendship between Johann Georg Pisendel – who led the orchestra – and Antonio Vivaldi held firm for life. Between their first meeting in Venice in 1716 and the death of the Prete Rosso in 1741, Pisendel continually enriched his collection of Vivaldi concertos, a certain number of which were manifestly tailor-made for his outstanding technique and equally exceptional delicacy of expression. This explains why Dresden holds so many Vivaldian treasures, sometimes autograph, sometimes copied in Pisendel’s own hand.

 
Although the concertos assembled by Les Ambassadeurs bear no explicit dedication, there can be little doubt that they were expressly written for the Dresden orchestra: they feature the instrumentation typical of the court Kapelle, with its horns and oboes vying for prominence with the violin.
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