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AJ 0195
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AJ 0195
Kapsberger: Labirinto d’amore

Kapsberger: Labirinto d’amore

The Classical Shop
release date: July 2014

Recorded in 24 Bit / 88.2Khz
album available as a Studio Master

Artists:

Thomas Dunford

Performer

Anna Reinhold

Performer

Record Label
Alpha

Genre:

Baroque




Total Time - 59:27
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Kapsberger: Labirinto d’amore

     
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BARBARA STROZZI

1 

Cantate, ariette e duetti, Op. 2 No. 14: "L'Eraclito amoroso"

6:30
 Anna Reinhold Performer
     
 

JOHANNES HIERONYMUS KAPSBERGER

2 

Libro primo d'intavolatura di lauto: Toccata III

2:46
     
3 

Libro primo d'intavolatura di lauto: Toccata VI

3:55
     
 

GIULIO ROMOLO CACCINI

4 

La Pellegrina, 4th Intermedio: "Io che dal ciel cader farei la luna"

2:15
 Anna Reinhold Performer
     
 

JOHANNES HIERONYMUS KAPSBERGER

5 

Libro primo d'intavolatura di lauto: Toccata VII

2:45
     
6 

Libro secondo di villanelle: "Avrilla mia"

3:02
 Anna Reinhold Performer
     
7 

Libro primo d'intavolatura di lauto: Toccata IV

2:15
     
 

CLAUDIO MONTEVERDI

8 

Concerto, settimo libro de madrigali, con altri generi de canti: "Se i languidi miei sguardi" (Lettera amorosa)

8:17
 Anna Reinhold Performer
     
 

JOHANNES HIERONYMUS KAPSBERGER

9 

Libro primo d'intavolatura di lauto: Toccata II

2:51
     
10 

Libro secondo di Villanelle: "Ultimi miei sospiri"

2:15
 Anna Reinhold Performer
     
11 

Libro primo d'intavolatura di lauto: Toccata V

3:39
     
 

GIULIO ROMOLO CACCINI

12 

Le nuove musiche: "Amarilli mia bella"

3:01
 Anna Reinhold Performer
     
13 

Le nuove musiche: "Mentre che fra doglie e pene"

2:00
 Anna Reinhold Performer
     
 

JOHANNES HIERONYMUS KAPSBERGER

14 

Libro primo d'intavolatura di lauto: Toccata VIII

1:53
     
15 

Libro primo d'intavolatura di lauto: Toccata I

4:38
     
 

TARQUINIO MERULA

16 

Canzonetta spirituale sopra alla nanna

7:25
 Anna Reinhold Performer
     
 Thomas Dunford Performer


 The ‘Eric Clapton of the lute’ (BBC Magazine) comes back to the Alpha microphones, this time with the soprano Anna Reinhold. Here, Thomas Dunford applies his truly prodigious virtuosity to the eight Toccatas from the first book by Meister Kapsberger, giving us a veritable concert such as the composer himself might have proposed with, in counterpoint to the toccatas, a few of the loveliest airs by Caccini, Merula et al.

 
The beauty of Anna Reinhold’s voice (a young talent noticed especially in William Christie’s ‘Jardin des voix’) has a freshness and energy that bring to mind the young performers at work in Alpha’s earliest recordings. This goes to prove that there still remains much distance to cover in the discovery of Baroque art.
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