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AP 0108
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AP 0108
Chamber Music - MOZART, W.A. / SCHUMANN, R. / WOLF, H. (Kolisch Quartet) (1929-1937)

Chamber Music - MOZART, W.A. / SCHUMANN, R. / WOLF, H. (Kolisch Quartet) (1929-1937)

The Classical Shop
release date: March 2012


Artists:

Molinari Quartet

Ensemble

John Barrows

Soloist

Rudolf Kolisch

Soloist

Domenico Caputo

Soloist

Hortense Monath

Soloist

Molinari Quartet



Venue:

Boston


Berlin


London



Record Label
Archiphon

Genre:

Chamber


Classical

Total Time - 74:36
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Chamber Music - MOZART, W.A. / SCHUMANN, R. / WOLF, H. (Kolisch Quartet) (1929-1937)

     
Select Complete Single Disc for
     
 

WOLFGANG AMADEUS MOZART

 

String Quartet No. 21 in D major, K. 575, "Prussian No. 1"

 
1 I. Allegretto 4:47
 Molinari Quartet Ensemble
     
2 II. Andante 4:01
 Molinari Quartet Ensemble
     
3 III. Menuetto: Allegretto 3:15
 Molinari Quartet Ensemble
     
4 IV. Allegretto 5:13
 Molinari Quartet Ensemble
     
5 

String Quartet No. 23 in F major, K. 590, "Prussian No. 3"

8:39
 Molinari Quartet Ensemble
     
 

Ein musikalischer Spass (A Musical Joke), K. 522

 
6 I. Allegro 3:26
 Domenico Caputo Soloist
     
7 II. Menuetto: Maestoso 4:38
 John Barrows Soloist
     
8 III. Adagio cantabile 5:09
 John Barrows Soloist
     
9 IV. Presto 4:10
 Domenico Caputo Soloist
     
 

ROBERT SCHUMANN

 

Piano Quartet in E flat major, Op. 47

 
10 I. Sostenuto assai - Allegro ma non troppo 8:34
 Rudolf Kolisch Soloist
     
11 II. Scherzo: Molto vivace 3:19
 Rudolf Kolisch Soloist
     
12 III. Andante cantabile 4:58
 Rudolf Kolisch Soloist
     
13 IV. Finale: Vivace 7:24
 Hortense Monath Soloist
     
 

HUGO WOLF

14 

Serenade in G major, "Italienische Serenade" (Italian Serenade)

7:03
 Molinari Quartet Ensemble


This album offers the last previously unissued 78 rpm recordings by the Kolisch Quartet.

Rudolf Kolisch always struggled against the tradition of a "beautiful sound" in common violin playing. The interpretations by the Kolisch Quartet are characterized by a rare clarity of musical structures as well as by an expressive sound.

"As always, these productions contain an excellent booklet. For the connoisseur interested in how the classical and romantic repertoire were received, it is fascinating to listen with the "ears" of the Schoenberg school. One can then conclude that the new avant garde in no way rejected romantic flourish and pathos." 

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