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AV 2077
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AV 2077

Schumann/ Mahler/Britten: Songs and Piano

Released Date:
01 Jan 2007

Originally recorded in 2007

Artists:

Ann Murray

mezzo-soprano

Malcolm Martineau

piano

Venue:

CREAR, Argyll, Scotland



Producer:

Andreas Ruge


Christopher Robson

(Co-Producer)

Rainer Schmidt

(Executive)

Record Label
Avie Records

Genre:

Vocal & Song


Piano

Total Time - 67:12
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GUSTAV MAHLER

(1860-1911)
Select Complete Single Disc for
 

Lieder nach Texten von Friedrich Rückert

18:24  
  Songs to poems by Friedrich Rückert  
1 Blicke mir nicht in die Lieder! 1:26
2 Ich atmet' einen linden Duft! 2:16
3 Um Mitternacht 5:52
4 Liebst du um Schönheit 2:20
5 Ich bin der Welt abhanden gekommen 6:30
   
 

ROBERT SCHUMANN

(1810-1856)
 

Frauenlieve und Leben, Op. 42 (1840)

21:53  
  Liederzyklus nach Gedichten von Adelbert von Chamisso  
  Song cycle to poems by Adelbert von Chamisso  
6 I Seit ich ihn gesehen 2:27
7 II Er, der Herrlichste von allen 3:07
8 III Ich kann's nicht fassen, nicht glauben 1:35
9 IV Du Ring an meinem Finger 2:44
10 V Helft mir, ihr Schwestern 1:53
11 VI Süßer Freund, du blickest 4:38
12 VII An meinem Herzen, am meiner Brust 1:17
13 VIII Nun hast du mir den ersten Schmerz getan 4:12
   
 

BENJAMIN BRITTEN

(1913-1976)
 

A Charm of Lullabies, Op. 41 (1947)

11:31  
  Ein Kranz von Wiegenliedern  
14 I A Cradle Song 2:26
  Words by William Blake  
15 II The Highland Balou 1:49
  Words by Robert Burns  
16 III Sephestia's Lullaby 1:52
  Words by Robert Greene  
17 IV A charm 1:36
  Words by Thomas Randolph  
18 V The Nurse's Song 3:48
  Words by John Philip  
 

Cabaret Songs

15:24  
  Songs to poems by W.H. Auden  
  Lieder nach Texten von W.H. Auden  
19 Calypso 2:18
20 O tell me the truth about love 5:14
21 Johnny 4:50
22 Funeral Blues 3:02


Ann Murray is a consummate artist, an instinctive and passionate musician. Her career has taken her literally all over the world to many an opera and concert stage, transfixing audiences with her unshowy musicality. A dedicated recitalist, she doesn’t so much sing her repertoire as embody it. Her voice blooms with an immaculate sense of line that transports the listener, as it appropriately does in Schumann’s dramatic life-journey Frauenliebe und Leben. She magically colours the Rückert Lieder in Mahler’s melancholic harmonies. She casts a spell throughout Britten’s A Charm of Lullabies, evoking the power and potential of the night, after which the Cabaret Songs are a suitable tonic. Malcolm Martineau, the collaborator of choice for today’s vocal stars, equals Ann every step of the way, underpinning her sense of style and storyline with every turn of phrase.

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