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AV 2089
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AV 2089
The Unknown Lover

Solage/ Machaut: Songs

Released Date:
01 Dec 2006

Originally recorded in 2006

Artists:

Stephen Charlesworth

baritone

Jonathan Arnold

bass

Robert Macdonald

bass

Catherine King

mezzo-soprano

Julian Podger

tenor

Steven Harrold

tenor

Leigh Nixon

tenor

Gothic Voices



Venue:

St Andrews Church, Toddington, Gloucestershire



Producer:

Adrian Hunter



Engineer:

Adrian Hunter



Record Label
Avie Records

Genre:

Vocal & Song




Total Time - 70:57
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The Unknown Lover

 

SOLAGE

(late 14th c.-after 1403)
Select Complete Single Disc for
1 

Le basile

4:13
 

GUILLAUME DE MACHAUT

(c. 1300-1377)
2 

Mors sui, se je ne vous voy

4:02
 

SOLAGE

3 

En l'amoureux vergier

4:57
 

GUILLAUME DE MACHAUT

4 

Quant je sui mis au retour

1:43
 

SOLAGE

5 

Tres gentil cuer

6:50
6 

Fumeux fume par fumee

4:26
7 

Joieux de cuer

4:00
 

GUILLAUME DE MACHAUT

8 

Dame, se vous m'estes lonteinne

2:20
 

ANONYMOUS

(Solage?)
9 

Adieu vous di

2:51
 

GUILLAUME DE MACHAUT

10 

Plus dure que un dyamant

3:28
 

SOLAGE

11 

Corps feminin

3:59
12 

S'aincy estoit

3:14
13 

Pluseurs gens

2:43
 

GUILLAUME DE MACHAUT

14 

Douce dame, tant com vivray

3:12
 

ANONYMOUS

(Solage?)
15 

Le mont Aön de Trace

3:19
 

GUILLAUME DE MACHAUT

16 

Se je souspir parfondement

2:38
 

SOLAGE

17 

Calextone, qui fut dame

3:06
 

GUILLAUME DE MACHAUT

18 

Dieus, Biaute, Douceur, Nature

4:30
 

SOLAGE

19 

Helas! je voy mon cuer

5:26


World-renowned vocal ensemble Gothic Voices, celebrated 25 years with its first appearance on Avie – the first recording of the complete works of Solage, the leading composer of the ars subtilior in late 14th century France and yet one about whom virtually nothing is known – not even his first name. The CD’s title, The Unknown Lover, reflects the composer’s anonymity, together with the fact that all twelve of Solage’s songs are love-songs. They are perfectly paired with the seven ars nova style songs by his earlier French contemporary Guillaume de Machaut, which provide a sorbet-like contrast and variety of texture to the richness and complexity of Solage’s output.

Any information about Solage’s life can only be surmised from the texts of his songs. Judging from the dedication of S’aincy estoit, it appears he was active in the court of Jean, Duc de Berry, during the 1380s and 90s, and from the virtuosity required by works such as Corps feminin we can safely assume that his music was mainly composed for professional musicians. The extremes of Solage’s rhythmic and chromatic experimentation, as in Fumeux fume par fumee, are some of the most challenging that Gothic Voices has ever encountered, making full use of the singers’ considerable experience and expertise.

Gothic Voices secured their place in recording history with A Feather on the Breath of God, one of the best-selling early music recordings ever made which launched a veritable worldwide Hildegard von Bingen industry. 20 further recordings followed, as did numerous awards and critical acclaim. Avie is delighted to welcome them to the label with this extraordinary and virtuostic music.

 




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