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AV 2091
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AV 2091

Elgar/ Chausson: Violin and Orchestral Works

Released Date:
01 Dec 2006

Originally recorded in 2006

Artists:

Royal Liverpool Philharmonic Orchestra


Vernon Handley


Philippe Graffin

violin

Venue:

Philharmonic Hall, Liverpool



Producer:

Michael Ogonovsky


David A. Pigott


Simon Foster

(Executive for AVIE)

Engineer:

David A. Pigott


Andrew Cornall

(Executive for RLPO Live)

Record Label
Avie Records

Genre:

Violin


Orchestral & Concertos

Total Time - 62:03
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EDWARD ELGAR

(1857-1934)
Select Complete Single Disc for
 

Concerto for Violin and Orchestra in B minor, Op. 61 (1910)

46:08  
1 I Allegro 17:37
2 II Andante 10:42
3 III Allegro molto - Cadenza (accompagnata: Lento) - Allegro molto (Tempo 1) 18:41
   
 

ERNEST CHAUSSON

(1855-1899)
4 

Poème for Violin and Orchestra, Op. 25 (1896)

15:03


The enterprising violinist Philippe Graffin – whose recordings for Avie span the world-premiere recording of Samuel Coleridge-Taylor’s Violin Concerto to the original instrumentation of Ravel’s Tzigane and specially commissioned works by Lithuanian composer Vytautus Barkauskus – comes up with another plum: the Elgar Violin Concerto but as you’ve never heard it before. Here he offers another world-premiere recording, performing from Elgar’s original manuscript. The story goes that just as Elgar felt he had completed his composition he consulted Kreisler who was to give the world-premiere performance. The virtuoso violinist requested numerous changes to suit his own technique and temperament. Finding the original manuscript in the British Library was for Philippe a “rejuvenating experience, like opening the diary of someone you know well and discovering the reason behind their actions.” A similar story comes with Chausson’s Poème, a work that was greatly influenced by the great Belgian violinist Ysaÿe. On this recording Philippe restores a dozen or so bars that don’t appear in the final published version.

This release continues Avie’s association with the RLPO. Vernon Handley, arguably the greatest conductor of English music, was an inspired choice. His last recording of the Elgar was with a certain young man named Kennedy.
 

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