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AV 2135
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AV 2135

Poulecn: Les Animaux modeles/ Concert Cahmpetre pour piano et orchestre

The Classical Shop
release date: October 2007

Originally recorded in 2007

Artists:

Filarmonica 900 del Teatro Regio di Torino


Jan Latham-Koenig


Stefano Bollani

piano

Venue:

Conservatorio Giuseppe Verdi' Torino, Italy



Producer:

Mario Bertodo


Renato Campajola



Engineer:

Mario Bertodo


Renato Campajola


Daniele Sajeva

(Assistant)

Record Label
Avie Records

Genre:

Orchestral & Concertos


Piano

Total Time - 73:48
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FRANCIS POULENC

(1899-1963)
   
 

Les Animaux modèles

40:04  
1 I Le petit jour. Très calme 3:33
2 II L'Ours et les deux Compagnons. Très animé 4:22
3 III La Cigale et la Formi. Très animé 5:44
4 IV La Lion amoureux. Passionément animé 6:53
5 V L'Homme entre deux âges et ses deux maîtreses. Prestissimo 1:48
6 VI La mort et le boucheron. Très lent 5:31
7 VII Les deux Coqs. Très modéré 9:13
8 VIII Le repeas de midi 3:00
   
 

Concert champêtre pour piano et orchestre

25:12  
9 Adagio. Allegro molto 10:28
10 Andante (Mouvement de Sicilienne 6:47
11 Finale (Presto) 7:57
   
12 

Improvisation 13

4:11
13 

Improvisation 15

4:21


Turin’s hidden musical diamond must be the superb Filarmonica ‘900 del Teatro Regio di Torino, a new force in the Italian orchestral scene. For their first CD they have chosen two remarkably talented musicians to partner them. Jan Latham-Koenig needs little introduction and is a renowned French music specialist. In addition to his award-winning DVD of Poulenc’s Dialogues des Carmélites (Arthaus), his recording of Ibert’s opera Persée et Andromede on AVIE (AV 0008) has been a significant success for the label.

Jan now returns to Poulenc with a recording of the complete ballet Les Animaux modèles, a rarity on record and deserving to be much better known. In the Concert champêtre he is joined by a young Italian pianist who is taking concert halls throughout Europe by storm. Best known for his jazz work, Stefano Bollani returns here to his Classical roots playing the piano version of the ‘Concert’ which is better known as a work for harpsichord and orchestra. Poulenc himself, however, performed the work himself as piano soloist. Bollani goes on to resurrect an almost lost tradition by elaborating on the two Improvisations written for the purpose by Poulenc. Jazz is never very far away!
 

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