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AV 2143
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AV 2143

Catoire: Complete Works for Violin and Piano

The Classical Shop
release date: May 2008

Originally recorded in 2008

Artists:

Bernd Zack

piano

Herwig Zack

violin

Venue:

Meistersingerhalle Kleiner Saal, Nürnberg, Germany



Producer:

Susette Clausing

(Executive)

Engineer:

Jurgen Rummel


Markus Spatz

(Assistant)

Horst Kohl

(Assistant)

Record Label
Avie Records

Genre:

Violin


Piano

Total Time - 67:21
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GEORGY L'VOVICH CATOIRE

(1861-1926)
1 

Sonata No. 2, Op. 20 'Poème'

20:50
  in D major - in D-Dur - en ré majeur  
2 

Elegy, Op. 26

4:13
  in D minor - in d-Moll - en ré mineur  
 

Sonata No. 1, Op. 15

28:43  
  in B minor - in h-Moll - en si mineur  
3 I Allegro non tanto, ma appassionato 13:15
4 II Barcarolle: Andante 7:17
5 III Allegro con spirito 8:05
   
 

MAURICE RAVEL

(1875-1937)
6 

Pièce en forme de habanera

3:10
7 

Tzigane (Rapsodie de concert)

10:31
Catoire / Ravel – Herwig Zack, Bernd Zack

‘Herwig Zack provides engaging liner-notes for this complete collection of Catoire’s music for violin and piano. In doing so he describes the genesis of this project when a friend presented him with a CD of David Oistrakh and Alexander Goldenweiser playing works by Catoire: “beautiful, genuine music!”

‘The Second Sonata was dedicated to Goldenweiser. It is a single rhapsodic movement in the spontaneously flowing style of Medtner, dramatic, fantastic, poetic in a free-flowing Russian way. If you like Medtner and early Scriabin you will love this – ending as it does in a serene art nouveau sunset. The Elegy is another gentle curvaceous effusion fading into a glistening silence. The three-movement First Sonata is more torrid and emotionally turbulent than the Second. It is dedicated to Medtner. After a near fourteen-minute first movement comes a Barcarolle whose melodic content recalled Medtner’s Sonata Romantica. The finale bursts with invention of elevated romantic standing.

‘The whole experience of this disc will have you wanting to track down yet more Catoire. As yet unrecorded – but surely strong prospects – are the quintet, the Symphony, Op. 7 and a piano concerto. His activities as a teacher academician – he had Kabalevsky as a pupil – have masked his reputation as composer.

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