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AV 2236
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AV 2236

J S Bach - Saint John Passion

Released Date:
01 Feb 2012

Originally recorded in 2011

Artists:

Portland Baroque Orchestra


Matthew White

alto

Joshua Hopkins

bass

Monica Huggett

director & violin

Charles Daniels

Evangelist, tenor

Joshua Hopkins

Jesus, bass

Tyler Duncan

Pilatus, bass

Shannon Mercer

soprano

Jacques-Olivier Chartier

tenor

Cappella Romana



Venue:

St Anne's Chapel, Marylhurst University, Oregon

14-19 Mar 2011

Producer:

Francois Eckert



Record Label
Avie Records

Genre:

Choir


Orchestral & Concertos

Total Time - 105:09
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J.S. BACH

 

Saint John Passion

 
1 Chorus Herr, unser Herrscher 7:43
2 Evangelist, Jesus, Chorus Jesus ging mit seinen Jüngern... 2:18
3 Chorale O große Lieb, 0:49
4 Evangelist, Jesus Auf daß das Wort erfüllet würde... 4:03
5 Choralee Dein Will gescheh! 0:47
6 Evangelist Die Schar aber und der Oberhauptmann... 0:42
7 Aria (alto) Von den Stricken 4:02
8 Evangelist Simon Petrus aber folgete Jesus... 0:13
9 Aria (soprano) Inv folge dir gleichfalls 3:05
10 Evangelist, Ancilla, Petrus, Jesus, Servus Der selbige Jünger... 3:18
11 Chorale Wer hat dich so geschlagen 1:59
12 Evangelist, Chorus, Petrus, Servus Und Hannas sandte... 1:59
13 Aria (tenor) Ach, mein Sinn 2:49
14 Chorale Petrus, der nicht denkt zurück 0:58
15 Chorale Christus, der uns selig macht 0:53
16 Evangelist, Pilatus, Jesus, Chorus Da führeten sie Jesum... 4:02
17 Chorale Ach großer König 1:13
18 Evangelist, Pilatus, Jesus, Chorus Da sprach Pilatus zu ihm 1:57
19 Arioso (bass) Betrachte, meine Seel 2:31
 Joshua Hopkins bass
20 Aria (tenor) Erwäge, wie sein blutgefärbte Rücken 8:08
21 Evangelist, Chorus, Pilatus Und die Kriegsknechte... 5:26
22 Chorale Durch dein Gefängnis 0:47
23 Evangelist, Chorus, Pilatus Die Jüden aber schrieen... 3:48
24 Aria (bass solo; soprano, alto tenor) Eilt, ihr angefochtnen 3:39
  Tyler Duncan, bass; S.Mercer, soprano; K.McCarthy, alto; C. Daniels, tenor  
25 Evangelist, Chorus, Pilatus Allda kreuzigten sie ihn... 2:02
26 Chorale In meines Herzens Grunde 0:55
27 Evangelist, Chorus, Jesus Die Kriegsknechte aber... 3:43
28 Chorale Er nahm alles wohl in acht 0:54
29 Evagelist, Jesus Und von Stund an... 1:30
30 Aria (alto) Es ist vollbracht! 4:27
31 Evangelist Und neiget das Haupt... 0:26
32 Aria (bass) with Chorale Mein teurer Heiland 3:59
  Tyler Duncan, bass  
33 Evanglist Und siehe da, der Vorhang... 0:25
34 Arioso (tenor) Mein Herz, in dem die ganze Welt 0:50
35 Aira (soprano) Zerfließe, mein Herze 6:04
36 Evagelist Die Jüden aber... 2:07
37 Chorale O hilf, Christe, Gottes Sohn 0:58
38 Evagelist Darnach bat Pilatum... 2:05
39 Chorus Ruht wohl, ihr heiligen Gebeine 5:58
40 Chorale Ach Herre, laß dein lieb Engelein 1:37
   


Monica Huggett has produced numerous best-selling and acclaimed recordings for Avie, notably the Grammy®-nominated Bach Orchestral Suites (AV 2171) which made the Top 10 of the Billboard Traditional Classical Chart. This ear-opening version which – Monica claims – restored Suite No. 2 to its original instrumentation, placing the solo line with oboe rather than the more commonly-heard flute. She makes a similar case with her new recording of the St. John Passion, placing oboes where we typically hear flutes, arguing convincingly that Bach’s original score was produced during his early years working in Leipzig where flutes were unavailable to him.

Once again, Monica is aided and abetted by baroque oboist Gonzalo X. Ruiz, who states, “The omission of flutes gives the St. John Passion a less galante feel for Bach’s music that developed in the mid-18th century and restores a trim sound, in line with most orchestral music of the time. It retains, however, an undeniable richness of orchestration owing to the uncommon string instruments in the arias.”

Monica continues, “There have been many scholarly discussions about the forces originally used for the St. John Passion, including the suggestion of performing it with one voice or instrument to a part. The most satisfying performances in my personal experience have been those involving a small chorus matched with a small orchestra. I have chosen, therefore, to have about an equal number of instrumentalists alongside a group of twelve singers capable of both solo and consort singing, as Bach would have had in Leipzig.”

Monica leads the Portland Baroque Orchestra, the fourth-largest period-instrument ensemble in the US, where she has been Artistic Director since 1995. Joining the orchestra is Portland-based choir Cappella Romana and baroque specialist, English tenor Charles Daniels as the Evangelist.

 

                 Performance ****     Recording ****

"... a distinctive contribution to the St John Passions on disc."

George Pratt - BBC Music  magazine -  Awards Issue 2012




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