Background Image Background Image Background Image
background image

BI 1590
StarStarStarStarStar Rating
Log in to be the first to review this disc
Background Image Background Image Background Image
background image
BIS Logo
BI 1590

PETTERSSON, A.: Concerto No. 3 for Strings (Nordic Chamber Orchestra, C. Lindberg)

The Classical Shop
release date: May 2011

Recorded in 24 Bit / 96Khz
album available as a Studio Master
Originally recorded in 2010


Nordic Chamber Orchestra

Lindberg, Christian

Christian Lindberg


Record Label


Total Time - 53:09
Background Image Background Image Background Image
background image
Customers who bought this album, also bought...
Beethoven Piano Sonatas
FRANCAIX, J.: Wind Quintets Nos. 1 and 2 / Quartet / Divertissement (Bergen Wind Quintet)
Richter: Sinfonias and Sinfonies
PETTERSSON, A.: 8 Barefoot Songs / Concertos for Strings Nos. 1-2 (Larsson, Nordic Chamber Orchestra, Lindberg)
Paul Watkins - British Works for Cello and Piano, Volume 2
British Works for Cello and Piano, Volume 3
Beethoven Piano sonatas

Scroll Scroll

background image
onquestion marklosslessquestion markStudio Fileoffquestion mark 
*if you purchase a higher level format, we include the lower formats free of charge
Please Note: On Mp3 format an unavoidable click may be heard on segue track breaks, to avoid this issue please select lossless or better

PETTERSSON, A.: Concerto No. 3 for Strings (Nordic Chamber Orchestra, C. Lindberg)



Select Complete Single Disc for

Concerto No. 3 for Strings

1 I. Allegro con moto 16:30
2 II. Mesto 25:10
3 III. Allegro con moto 11:29
 Christian Lindberg Conductor
 Lindberg, Christian

Following their 2009 release of the first two concertos for string orchestra by Allan Pettersson comes Christian Lindberg’s recording with his Nordic Chamber Orchestra of the third and last of the concertos. By the time of its composition, Pettersson had already written three symphonies, and during the following two decades he produced symphony after symphony. It is therefore perhaps not surprising that the large-scale Concerto No.3 for string orchestra exceeds any conventions that may be associated with its genre and, in fact, lays claim to symphonic weight. Characterized by dynamic culminations and passages of extremely detailed writing, as well as a melodic flow, the work is based on just a few motifs; an example of the delicate balance between intricate development and wide-ranging lines that is a fundamental element of Pettersson’s music. At the time of the first performance Pettersson himself stated that ’It’s my mother who is my music. It’s her voice that speaks there’. Regarding Mesto, the second movement, he added that it ’is a 24-minute-long statement in which I gradually arrive at a song that could have been sung by a Salvation Army soldier. The song is a testimony, a confession’. This highly personal music, by one of the most personal of all composers, began to lead an existence of its own very shortly after the first performance of the concerto, and is regularly performed as a work in its own right. Pettersson, who passed away in 1980, has found a present-day champion in Christian Lindberg, described in Gramophone’s review of his earlier Pettersson disc as ’a most persuasive advocate’, while his orchestra received high praise from all quarters for its performances of the highly virtuosic scores. Receiving the blessing of the composer’s estate, Lindberg in January 2010 conducted the Norrköping Symphony Orchestra in the world première of the composer’s never completed first symphony. While waiting for the results of further Pettersson recordings by these forces, the present release is sure to find a warm welcome.

"...a monumentally important first recording for a reconstruction of Pettersson’s First Symphony alongside fresh elite recordings of the three Concertos for Strings."

Rob Barnett - - 23 December 2011

" carves its way through the best part of an hour in compelling fashion in this flawlessly present recording."

Guy Ricards - Gramophone - December 2011

No User Reviews Found.