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BI 1720
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BI 1720
RESPIGHI, O.: Fontane di Roma / Pini di Roma / Feste romane (Sao Paulo Symphony, Neschling)

RESPIGHI, O.: Fontane di Roma / Pini di Roma / Feste romane (Sao Paulo Symphony, Neschling)

The Classical Shop
release date: July 2013

Recorded in 24 Bit / 44.1Khz

Originally recorded in 2010

Artists:

Sao Paulo Symphony Orchestra

Orchestra

John Neschling

Conductor

John Neschling

Conductor

Record Label
BIS

Genre:

Orchestral & Concertos


Classical

Total Time - 62:41
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RESPIGHI, O.: Fontane di Roma / Pini di Roma / Feste romane (Sao Paulo Symphony, Neschling)

     
Select Complete Single Disc for
 

OTTORINO RESPIGHI

     
 

Fontane di Roma (Fountains of Rome), P. 106

 
1 I. La fontana di Valle all'alba 4:53
2 II. La fontana del Tritone al mattino 2:41
3 II. La fontana di Trevi al meriggio 3:47
4 IV. La fontana di Villa Medici al tramonto 5:15
     
 

Pini di Roma (Pines of Rome), P. 141

 
5 I. I pini di Villa Borghese (The Pines of the Villa Borghese) 2:40
6 II. Pini presso una catacomba (Pines Near a Catacomb) 6:55
7 III. I pini del Gianicolo (The Pines of the Janiculum) 7:40
8 IV. I pini della via Appia (The Pines of the Appian Way) 4:27
     
 

Feste romane (Roman Festivals), P. 157

 
9 I. Circenses 4:46
10 II. Il Giubileo 6:21
11 III. L'Ottobrata 8:01
12 IV. La Befana 5:15
     
 John Neschling Conductor
 John Neschling Conductor

BIS BI 1720

Respighi: Pines of Rome, Fountains of Rome, Roman Festivals – São Paulo Symphony Orchestra, John Neschling

The Roman trilogy (the tone poems Pines of Rome, Fountains of Rome, and Roman Festivals) by Ottorino Respighi holds a very special place in the orchestral repertoire, challenging almost any other composition for sheer sonic audience appeal. Spectacular scenes such as the ‘Fontana di Trevi’ in the glitter of the mid-day sun, children playing under the pine-trees of the Villa Borghese, or a Roman legion marching along the Appian Way provided the masterly orchestrator with the opportunity to employ the full palette of the modern symphony orchestra, to which he added various instruments, including organ, piano, celesta, glockenspiel, mandolin, and tambourines. In fact, in the third part of Pines of Rome Respighi went even further and specified, for the first time ever in classical music, the use of a gramophone, playing a recording of the singing of a nightingale. As a result, these works glitter, shimmer, blare, and thunder: a true feast for the ear which here has found worthy exponents in the São Paulo Symphony Orchestra (OSESP) and John Neschling.



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