Background Image Background Image Background Image
background image

BI 1978
StarStarStarStarStar Rating
Log in to be the first to review this disc
Background Image Background Image Background Image
background image
BIS Logo
BI 1978
BEETHOVEN, L. van: Piano Concerto No. 3 / MOZART, W.A.: Piano Concerto No. 24 (Sudbin, Minnesota Orchestra, Vänskä)

BEETHOVEN, L. van: Piano Concerto No. 3 / MOZART, W.A.: Piano Concerto No. 24 (Sudbin, Minnesota Orchestra, Vänskä)

The Classical Shop
release date: April 2014

Originally recorded in 2014

Artists:

Minnesota Orchestra

Orchestra

Osmo Vanska

Conductor

Yevgeny Sudbin

Soloist

Venue:

Orchestra Hall, Minneapolis

Venue

Record Label
BIS

Genre:

Orchestral & Concertos


Classical

Total Time - 65:06
background image
SELECT YOUR MUSIC FORMAT FROM THE OPTIONS BELOW*
mp3question marklosslessoff  
*when you purchase a lossless format, we include the MP3 free of charge
Please Note: On Mp3 format an unavoidable click may be heard on segue track breaks, to avoid this issue please select lossless
 
DOWNLOADS
Buttonbooklet

BEETHOVEN, L. van: Piano Concerto No. 3 / MOZART, W.A.: Piano Concerto No. 24 (Sudbin, Minnesota Orchestra, Vänskä)

     
Select Complete Single Disc for
 

WOLFGANG AMADEUS MOZART

 

Piano Concerto No. 24 in C Minor, K. 491

 
1 I. Allegro 13:33
2 II. Larghetto 07:26
3 III. Allegretto 09:10
     
 

LUDWIG VAN BEETHOVEN

 

Piano Concerto No. 3 in C Minor, Op. 37

 
4 I. Allegro con brio 16:26
5 II. Largo 09:54
6 III. Rondo: Allegro 08:37
     
 Yevgeny Sudbin Soloist
 Osmo Vanska Conductor


 In 2010 Yevgeny Sudbin released the first instalment in a cycle of Beethoven’s piano concertos. Featuring the Fourth and the Fifth concerto the disc received top marks on web sites such as ClassicsToday.com and klassik-heute.de and was selected "Album of the Week in Daily Telegraph and Editor’s Choice in Gramophone, whose reviewer wrote ’The mother-of-pearl sheen of [Sudbin’s] pianism is backed by a special underlying sensitivity...Delectably light-fingered brilliance and virtuosity shines a new light on some of the most familiar scores in the repertoire...’ Other reviewers agreed that there was something very special about these interpretations (’Extraordinarily vibrant and unforced’, Piano News) and, not least, about Sudbin’s partnership with Osmo Vänskä and the Minnesota Orchestra (’There is a true give-and-take between soloist and orchestra throughout these performances that makes them especially engaging’, Listen Magazine). The web site Classical CD Review found Sudbin and Vänskä to be ’ideally matched Beethoven interpreters,’ and the French reviewer in Classica agreed, detecting a ’Mozartian flame’ in the performances. For this sequel Sudbin and Vänskä go one step further and actually include a Mozart concerto to precede Beethoven’s Concerto No.3 in C minor. Also in C minor, Mozart’s Concerto No.24, K 491, is often regarded as having been the inspiration for Beethoven’s work. The mood of K 491 is dramatic, even Romantic – the concerto was memorably described by the Mozart expert Alfred Einstein as an ‘explosion of passion, of dark tragic emotions’ – reflecting its proximity to The Marriage of Figaro, which was composed at the same time. Among Mozart’s concertos it is one of the most ample, both in terms of scoring and duration, and thus provides an ideal counterweight to Beethoven’s Third, which the composers began to sketch in 1796, but only completed eight years later

 "... the marriage of strength in exposition and sensitivity in accompaniment is more or less beyond compare ... The recorded quality is exceptional ...the Beethoven is not to be missed."

Richard Osborne - Gramophone magazine - May 2014


"...A persausive account, then, with that of Beethoven’s Third Concerto even more so: indeed, this is arguably the finest of recent years... Those looking for a midern version of the Beethoven that touches all the bases will find none finer..."

Richard Whitehouse - International Record Review - April 2014




No User Reviews Found.