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MOZART, W.A.: Oboe Concerto / Oboe Quartet / Violin Sonata No. 26 (arr. for oboe and piano) (A. Ogrintchouk)

MOZART, W.A.: Oboe Concerto / Oboe Quartet / Violin Sonata No. 26 (arr. for oboe and piano) (A. Ogrintchouk)

The Classical Shop
release date: July 2013

Recorded in 24 Bit / 96Khz

Originally recorded in 2013

Artists:

Lithuanian Chamber Orchestra

Orchestra

Alexei Ogrintchouk

Soloist

Venue:

Sendesaal Bremen, Germany

Venue

Lithuanian National Philharmonic Hall, Vilnius, Lithuania

Venue

Record Label
BIS

Genre:

Chamber


Classical

Total Time - 54:27
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MOZART, W.A.: Oboe Concerto / Oboe Quartet / Violin Sonata No. 26 (arr. for oboe and piano) (A. Ogrintchouk)

     
Select Complete Single Disc for
 

WOLFGANG AMADEUS MOZART

     
 

Oboe Quartet in F major, K. 370

 
1 I. Allegro 6:23
2 II. Adagio 3:16
3 III. Rondeau 4:15
     
 

Oboe Concerto in C major, K. 271k / K. 314

 
4 I. Allegro aperto 6:46
5 II. Andante ma non troppo 7:16
6 III. Rondo: Allegretto 5:39
     
 

Violin Sonata No. 26 in B flat major, K. 378 (arr. L. Slavinsky for oboe and piano)

 
7 I. Allegro moderato 9:05
8 II. Andantino sostenuto e cantabile 7:31
9 III. Rondo: Allegro 4:16
     
 Alexei Ogrintchouk Soloist


It was during an extended visit to Mannheim in 1777 that Mozart became friendly with the oboist Friedrich Ramm, a member of the famous Mannheim orchestra which was widely acknowledged as the finest in Europe (‘an army of generals’ as Charles Burney remarked). Earlier the same year Mozart had composed his Oboe Concerto, and impressed by Ramm’s ability, he now played the work through to him on the piano. Although Mozart had written it for another player, Ramm was to make it his own: by 14 February 1778 he had performed it no less than five times – ‘a great sensation…Ramm’s cheval de bataille’ as Mozart described it. Mozart later found occasion to compose especially for Ramm – the Oboe Quartet was written as a celebration of his virtuosity, and significantly challenged the boundaries of the possible on the contemporary oboe. As principal oboist of the Royal Concertgebouw Orchestra, and an international soloist in his own right, Alexei Ogrintchouk may well be said to be the Friedrich Ramm of our day – also on BIS, his performances of J.S. Bach’s oboe concertos was judged to be ‘as astonishing as it is successful’ on the web site klassik-heute.de, with a sound described as ‘generous, rounded, warm and velvety’ in Classica. He here performs these pillars of the oboe repertoire with the support of the renowned Lithuanian Chamber Orchestra in the concerto and in the company of three highly respected young string players in the quartet. To round off the programme Alexei has called in his father, the pianist Leonid Ogrintchouk, and together the two perform a transcription of the Violin Sonata in B flat major, K 378, composed during the same period as the two other works on this album.
 

"... the performance is enjoyable and intimate and, as such, well recorded..."

Colin Andersn - International Record Review - September 2013


"... Alexei Ogrintchouk’s mature oboe timbre, iridescent of colour and deployed with tasteful discretion and supple shading, is probably the main potential focus of attention ... The perspective is properly that of an intimate chamber work: nothing is overstated or inflated ... The playing here is of an equally polished, characterful, spirited quality."
 
Geoffrey Norris - Gramophone magazine - September 2013

                         Music **** (Very Good)          Sound *****(Excellent)

 

Clemens Haustein - Fono Forum magazine - August 2013




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