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BACH, C.P.E.: Keyboard Music, Vol. 26 (Spanyi)

BACH, C.P.E.: Keyboard Music, Vol. 26 (Spanyi)

The Classical Shop
release date: April 2014

Recorded in 24 Bit / 96Khz
album available as a Studio Master
Originally recorded in 2013

Artists:

Miklos Spanyi

Soloist

Venue:

Keizerszaal, Sint-Truiden, Belgium

Venue

Record Label
BIS

Genre:

Instrumental


Classical

Total Time - 78:30
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BACH, C.P.E.: Keyboard Music, Vol. 26 (Spanyi)

     
Select Complete Single Disc for
 

CARL PHILIPP EMANUEL BACH

     
 

Keyboard Sonata in C major, Wq. 51/1, H. 150, "Fortsetzung Sonata No. 1"

 
1 I. Allegro moderato 07:51
2 II. Andante 03:27
3 III. Allegro 06:13
     
 

Keyboard Sonata in B flat major, Wq. 51/2, H. 151, "Fortsetzung Sonata No. 2"

 
4 I. Adagio sostenuto - Presto 08:13
5 II. Adagio mesto e sostenuto 05:59
6 III. Allegro 05:21
     
 

Keyboard Sonata in C minor, Wq. 51/3, H. 127, "Fortsetzung Sonata No. 3"

 
7 I. Allegretto 07:56
8 II. Molto adagio 01:43
9 III. Allegro ma non tanto 06:31
     
10 

Keyboard Sonata in B flat major, Wq. 51/2, H. 151, "Fortsetzung Sonata No. 2"

05:41
     
11 

Keyboard Sonata in C minor, Wq. 51/3, H. 127, "Fortsetzung Sonata No. 3"

01:40
     
 

Keyboard Sonata in C Major, Wq. 65/35, H. 156

 
12 I. Allegro moderato 07:59
13 II. Andante 03:42
14 III. Allegro 06:14
     
 Miklos Spanyi Soloist


Carl Philipp Emanuel Bach published his ’Fortsetzung’ Sonatas, Wq51, in 1761, only one year after the appearance of Six Sonatas with Varied Reprises, Wq50 (released on Volume 21, BI 1624). Although the new collection contained only one single movement with a written-out varied reprise, Bach and his publisher, George Ludewig Winter, titled it Fortsetzung (continuation or sequel), obviously hoping to capitalize on the success of the set which had preceded it. (The same strategy was used two years later, with Zweite Fortsetzung, Wq52.) Although the ‘Fortsetzung’ Sonatas were not published together with the composer’s own variants on them, such alternative versions exist in manuscript, and splitting this set of large-scale works over two albums, Miklós Spányi also includes recordings of these varied or embellished versions, which may represent the composer’s revisions but could equally well have been intended as study material for his students. Also on the album, is also one of the composer’s intriguing experiments – a re-composed version of the entire first sonata of the set, in which, each movement has the same bass line and harmonic progressions as the original, yet is varied throughout in texture, rhythm and character. A tour de force in the technique of variation, Bach’s achievement becomes all the more impressive when one considers that he went on to compose yet another, entirely different version of the same sonata, which will be included on the next album in this highly acclaimed series.

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