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Carl Davis - Cyrano

The Classical Shop
release date: January 2011

Originally recorded in 2011

Artists:

Royal Ballet Sinfonia


Paul Murphy


Robert Gibbs

violin

Venue:

Watford Town Hall

7-10 Feb 2009

Producer:

Andrew Walton



Engineer:

Phil Rowlands



Record Label
Carl Davis

Genre:

Ballet & Dance


Film & TV Music

Total Time - 129:24
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Cyrano

 
1 The Chandelier Rises 1:02
2 The Intellectuals 1:27
3 Vision 0:48
4 Curtain Up! 0:39
5 Preamble 0:35
6 Pastorale 4:31
7 Duel in Rhyme 4:20
 Robert Gibbs violin
8 Bravo, Cyrano! 2:03
9 Despair 2:11
10 Assignation 0:37
11 Ambush 2:28
12 Four Chefs 2:02
13 Apotheosis of Poetry and Pastry 2:16
14 Sword to Pen 1:32
15 Meeting - Roxane's Entrance 0:58
16 Roxane's Solo 1:51
17 The Wound 1:16
18 Cyrano's Song of Love 2:28
19 The Duenna Has Finished the Cakes 4:13
20 Entrance of the Cadets of Gascoyne 1:39
21 Fanfare 0:21
22 Slow Dance 1:00
23 Rataplan 4:00
24 Country Boy 1:26
25 Interrupted Story 2:41
26 Dyslexic 3:17
27 Brotherhood (Finale Act 1) 1:13
28 Introduction and Roxane's Solo 2:26
29 Serenade 1:52
30 Today's Letter 1:42
31 Warning 0:40
32 The Capuchin Monk 1:32
33 Roxane and DeGuiche 3:58
34 Towards Love 3:18
35 Wooing Gone Wrong 1:55
36 Deception 4:40
37 Don't Speak 3:18
  (Pas de Deux - Roxane & Christine)  
38 Wedding 1:45
39 Delaying Tactics & Moon Dance 2:56
  Ondes Martenot - Cynthia Millar)  
40 Separation 2:54
41 Prelude 2:36
42 The Doomed Expedition 2:36
43 Revenge 0:54
44 The Angel of the Regiment 5:59
45 The New Banner 0:51
46 Food and Reunited 6:00
47 The Death of Christian 2:34
48 Interlude and 'accident' 4:07
49 Gathering Leaves 4:15
50 Roxane Alone 4:01
51 Cyrano Gazette 7:30
52 The Death of Cyrano 2:11
   


David Bintley’s production of Cyrano for Birmingham Royal Ballet with music by Carl Davis.
 
Royal Ballet Sinfonia conducted by Paul Murphy

"Cyrano was on the family bookshelf and I was repeatedly drawn to it. Although I saw the 1950 Hollywood film starring Jose Ferrer and the stunning 1990 French production with Gerard Depardieu, live stage productions and David Bintley’s earlier ballet slipped past my radar. But in 2004 when the offer to compose a new score for David came, memories, not so much of the films, but of my childhood stagings came flooding back. I had one niggling doubt – the subject of the play is eloquence, i.e. words. Can words be translated into movement? David, through gesture, immediately convinced me that it can and we were off!" - Carl Davis.

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