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CF 1612
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CF 1612

OPERA OVERTURES - MOZART, W.A. / WEBER, C.M. von / ROSSINI, G. / KREUTZER, C. / CHERUBINI, L. / AUBER, D.-F. / CORNELIUS, P.

The Classical Shop
release date: December 2013

Originally recorded in 1998

Artists:

Dresden Philharmonic Orchestra

Orchestra

Leipzig Radio Symphony Orchestra

Orchestra

Dresden Staatskapelle

Orchestra

Berlin Radio Symphony Orchestra

Orchestra

Berlin Staatskapelle

Orchestra

Hans Vonk

Conductor

Rolf Kleinert

Conductor

Kurt Masur

Conductor

Heinz Rogner

Conductor

Otmar Suitner

Conductor

Zeljko Straka

Conductor

Dresden Staatskapelle

Orchestra

Berlin Staatskapelle

Orchestra

Garsington Opera Orchestra

Orchestra

Record Label
Corona Classics Collection

Genre:

Orchestral & Concertos


Classical

Total Time - 54:58
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WOLFGANG AMADEUS MOZART

1 

Die Zauberflote (The Magic Flute), K. 620

06:47
 Berlin Staatskapelle Orchestra
 Otmar Suitner Conductor
     
 

CARL MARIA VON WEBER

2 

Euryanthe, J. 291: Overture

08:39
 Garsington Opera Orchestra Orchestra
 Rolf Kleinert Conductor
     
 

GIOACHINO ROSSINI

3 

La scala di seta (The Silken Ladder)

06:03
 Garsington Opera Orchestra Orchestra
 Heinz Rogner Conductor
     
 

CONRADIN KREUTZER

4 

Das Nachtlager in Granada

09:58
 Garsington Opera Orchestra Orchestra
 Zeljko Straka Conductor
     
 

LUIGI CHERUBINI

5 

Medea (Medee)

07:46
 Garsington Opera Orchestra Orchestra
 Kurt Masur Conductor
     
 

DANIEL-FRANCOIS AUBER

6 

Fra Diavolo: Overture

08:11
 Dresden Staatskapelle Orchestra
 Hans Vonk Conductor
     
 

PETER CORNELIUS

7 

Der Barbier von Bagdad (The Barber of Bagdad): Overture

07:34
 Dresden Staatskapelle Orchestra
 Hans Vonk Conductor
     

Corona Classics CF 1612

Opera Overtures – Mozart: Die Zauberflöte; Weber: Euryanthe; Rossini: La scala di seta; Kreutzer: Das Nachtlager in Granada; Cherubini: Medée; Auber: Fra Diavolo; Cornelius: Der Barbier von Bagdad

The opera overture is one of the most popular and enjoyable genres in the classical repertoire. Designed to get the listener in the mood for the drama that follows, many overtures remained in the concert repertoire long after the operas themselves had disappeared from the stage. This collection includes famous examples by Mozart, Weber, and Rossini, but is notable for incorporating concert hall rarities as well, by Cornelius and Kreutzer. Auber’s sparkling Fra Diavolo is another highlight in the collection, which has been compiled from top performances by master conductors of the repertoire.



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