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CHAN 0617
Music for Maundy Thursday

Palestrina: Music for Maundy Thursday

The Classical Shop
release date: February 1998

Originally recorded in 1997

Artists:

Simon Ravens


Musica Contexta



Venue:

All Hallows Church, Gospel Oak, London



Producer:

Gary Cole



Engineer:

Gary Cole


Richard Smoker

(Assistant)

Record Label
Chaconne

Genre:

Choir


Early Music

Total Time - 59:16
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Music for Maundy Thursday

 

GIOVANNI PIERLUIGI DA PALESTRINA

Select Complete Single Disc for
 

Music for Maundy Thursday

59:33  
1 

Lamentation 1

8:11
  Chant  
2 

Responsory I

2:47
   
3 

Lamentation II

10:37
  Chant  
4 

Responsory II

2:57
   
5 

Lamentation III

8:39
  Chant  
6 

Responsory III

5:18
   
  Chant  
7 

Antiphon

0:32
8 

Benedictus for Holy Week

8:07
  Chant  
9 

Antiphon

0:36
   
  Chant  
10 

Verse

0:33
11 

Misere remei

10:59


The mystique which surrounded the ceremonies and music of the Sistine Chapel was very powerful. At no time was this more potent than during the last three days of Holy Week with the long Tenebrae services.

Meaning ’darkness’, the Latin word Tenebrae referred to the twilight timing of these services (each of which was a combination of Matins and Lauds). The only lighting in the chapel came from a triangular candle stand placed upon the altar. After each psalm of the service one of the fifteen candles was extinguished. Following the Benedictus on Maundy Thursday the final  candle - still burning - was removed and hidden behind the altar, being replaced only after the recitation of the Miserere in near-total darkness.

Giovanni Pierluigi da Palestrina was one of the leading composers of the late sixteenth century and was particularly prolific in the composition of Masses and motets. A key figure in Catholic music-making in the age of the Counter-Reformation, Palestrina succeeded in cohesively assimilating the richly developed polyphonic technique of his French-Flemish predecessors.

All of the chant featured in this recording has been taken from Giovanni Guidetti’s rhythmically notated edition of chant for the Holy Week, which was published in Rome in 1587 and dedicated to the Pope.

"... This is superbly controlled but at the same time deeply felt singing, worthy of these-and I do not hesitate to use the word- masterpieces of sacred art." *****

Ivan Moody - Goldberg


"... recommended recording ..."

Noel O’Regan - Early Music Review - April 1998


"A highly recommended purchase ..."

Paul Hale - Organist’s Review - February 1999


"…the blend of voices is excellent, pitch is suitably low and the performances are beautifully poised and prayerful..."

Early Music - February 1999




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