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CHAN 0770
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CHAN 0770

Philips: Cantiones Sacrae

The Classical Shop
release date: June 2010

Originally recorded in 2009

Artists:

Richard Marlow


Choir of Trinity College, Cambridge



Venue:

Chapel of Trinity College, Cambridge



Producer:

Ben Woodward


Douglas Payne



Engineer:

Simon Eadon


David O'Carroll



Record Label
Chaconne

Genre:

Choir


Religious

Total Time - 76:35
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PETER PHILIPS

(1560/61-1628)
   
 

Cantiones sacrae

77:55  
  from Cantiones sacrae, pro præcipuis festis totius anni et communi sanctorum (Antwerp, 1612)  
   
  Volume I  
1 1 In Festo Nativitatis Domini. O beatum et sacrosanctum diem 2:34
2 4 In Festo SS. Innocentium. Cantabant Sancti 2:57
3 5 In Festo S. Thomæ Martyris. Gaudeamus omnes 2:46
4 6 In Festo Circumcisionis Domini. O nomen Jesu 2:42
5 7 In Festo Circumcisionis Domini. Modo veniet Dominator 2:19
6 9 In Festo Conversionis S. Pauli. Tu es vas electionis 2:54
7 11 In Festo Purificationis B. Mariæ. Hodie beata Virgo Maria 4:35
8 16 In Festo Resurrectionis Domini. Christus resurgens 3:14
9 17 In Festo Resurrectionis Domini. Surgens Jesus 2:13
10 18 In Festo SS. Philippi et Jacobi. Gentes Philippus ducit 3:48
11 20 In Festo Ascensionis Domini. Ascendit Deus 2:29
12 24 In Festo Corporis Christi. Ave verum Corpus 3:48
13 28 In Festo Joannis Baptistæ. Gabriel Angelus 2:50
14 32 In Festo S. Annæ. Ave gratia plena 3:14
15 33 In Festo S. Petri ad Vincula. Surge Petre 3:31
   
  Volume II  
16 38 In Festo Nativitatis B. Mariæ. Cam jucunditate 2:58
17 39 In Festo S. Michælis. Factum est silentium 3:17
18 41 In Festo Omnium Sanctorum. Sancti mei 3:06
19 42 In Festo S. Martini. O beatum Martinum 3:01
20 44 In Festo S. Cæciliæ. Cantantibus organis 2:57
21 48 [Commune Apostolorum] Tempore Paschali. Tristitia vestra 2:05
22 50 In Natalis plurimorum Martyrum. Gaudent in cælis 2:35
23 56 Antiphona B. Mariæ. Ave Regina cælorum 3:44
24 58 Antiphona B. Mariæ [Prima pars]. Salve, Regina 3:41
25 68 [Ad Placitum]. Ne reminiscaris, Domine 3:17
   
 Richard Marlow
  11-13 January 2002  


Peter Philips was, after William Byrd, the most published English composer of the Elizabethan-Jacobean Age. He was also, in his day, the best-known English composer on the European mainland but his absence from his homeland after the age of about twenty-one means that he remains relatively neglected at home. Born in 1560 or 1561, he trained as a choirboy at St Paul’s Cathedral in London and may have studied keyboard playing with Byrd. In 1582 he fled England to avoid persecution as a Roman Catholic, making his way to Rome. In 1585 he joined the entourage of another Roman Catholic refugee, Sir Thomas Paget, travelling with him through Northern Europe for the next five years, eventually settling in Antwerp in 1591. In 1593 he was accused of plotting against Elizabeth I and arrested, but was eventually exonerated. He joined the court chapel of Archduke Albert, Viceroy of The Netherlands, as organist in 1597 and remained there until his death in 1628.


The three years spent in Rome were crucial for the formation of Philips’s musical style. The early 1580s were years of rapid development in that city’s music, particularly in writing for multiple choirs. Philips wrote some double-choir music and the antiphonal principle underlies much of the music on this recording, even if written for a single choir of five voices: two sopranos, alto, tenor and bass – a texture that gives an overall brightness, often heightened by close spacing between the two sopranos.


Richard Marlow conducts the mixed Choir of Trinity College, Cambridge. About a previous release International Record Review wrote: ‘This is a triumph for Marlow and his Trinity college choir, for Chandos, and above all, for Mendelssohn’s reputation as an inventive and deeply rewarding composer of sacred choral pieces.’
 

“…Richard Marlow and his mixed-voice choir are excellent.”
                                                                   

Richard Lawrence
 

Gramophone - October 2010

                       Performance ****      Recording *****
“…the choir’s sensitivity, poise and purity of sound generate a deeply moving performance. Engineering deftly captures each nuance and heightening of musical gesture. Given that he was the most published English composer after William Byrd, Philips is underrepresented in recordings. This disc illuminates a legacy which …richly deserves a hearing.”

Berta Joncus

BBC Music Magazine - July 2010

“Superb music from a huge talent but lesser light.” “ …Richard Marlow is an old and established hand at this kind of thing, as is his excellent Trinity College Choir. Chandos has learned to tame its formerly-feared reverberate sound, and what we get is clear and vivid.”  ****

Steven Ritter

Audiophile Audition - 4 July 2010

“…The Chandos sound is rich and full-bodied, but never obscuring any of the detail or clouding the impeccable precision of the choral singing..”

Marc Rochester

International Record Review - June 2010



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