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CHAN 0775
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CHAN 0775

Buxtehude: Membra Jesu nostri/ Laudate, pueri, Dominum

The Classical Shop
release date: November 2010

Recorded in 24 Bit / 96Khz
album available as a Studio Master
Originally recorded in 2010


Peter Harvey


Michael Chance


Emma Kirkby


Elin Manahan Thomas


Charles Daniels



Purcell Quartet


St Jude-on-the-Hill, Hampstead Garden Suburb, London


Rachel Smith


Jonathan Cooper

Paul Quilter


Record Label




Total Time - 78:33
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(c. 1637-1707)

Membra Jesu nostri, BuxWV 75

  I. Ad pedes  
1 1 Sonata 0:45
2 2 Tutti. Ecce super montes 1:14
3 3 Aria. Salve mundi salutare 4:59
4 4 Tutti. Ecce super montes 1:16
5 5 Tutti. Salve mundi salutare 0:59
  II. Ad genua  
6 6 Sonata in trumulo 1:04
7 7 Tutti. Ad ubera portabimini 1:34
8 8 Aria. Salve Jesu, rex sanctorum 3:44
9 9 Tutti. Ad ubera portabimini 1:39
  III. Ad manus  
10 10 Sonata 0:56
11 11 Tutti. Quid sunt plagae istae 1:58
12 12 Aria. Salve Jesu, pastor bone 5:07
13 13 Tutti. Quid sunt plagae istae 2:15
  IV. Ad latus  
14 14 Sonata 0:26
15 15 Tutti. Surge, amica mea, speciosa mea 1:44
16 16 Aria. Slavae latus salvatoris 4:40
17 17 Tutti. Surge, amica mea, speciosa mea 1:58
  V. Ad pectus  
18 18 Sonata 0:40
19 19 Voci. Sicut modo geniti infantes rationabiles 2:20
20 20 Aria. Salve, salus mea, Deus 5:21
21 21 Voci. Sicut modo geniti infantes rationabiles 2:40
  VI. Ad cor  
22 22 Sonata 1:48
23 23 Doi Soprani è Basso. Vulnerasti cor meum 2:21
24 24 Aria. Summi Regis cor, aveto 3:04
25 25 Doi Soprani è Basso. Vulnerasti cor meum 2:28
  VII. Ad faciem  
26 26 Sonata 0:51
27 27 Tutti. Illustra faciem tuam super servum tuum 1:47
28 28 Aria. Salve, caput cruentatum 3:51
29 29 Tutti. Amen 1:26
 Emma Kirkby soprano
 Elin Manahan Thomas soprano
 Michael Chance counter-tenor
 Charles Daniels tenor
 Peter Harvey bass

Laudate, pueri, Dominum, BuxWV 69

 Emma Kirkby soprano
 Elin Manahan Thomas soprano


(c. 1616-1674)

Kommer her zu mir alle

 Peter Harvey bass

This new release from Chandos’ early music label, Chaconne, focuses on Buxtehude’s seven cantatas, collectively known as Membra Jesu nostri. These are among Buxtehude’s best-known works, and perfectly exemplify the seventeenth-century preference for musical structures that are broadly symmetrical, but subtly varied in detail. Each of the seven cantatas has roughly the same shape: Biblical passages are set for the whole ensemble and enclose stanzas from the mediaeval poem Rhythmica oratio, which are set as arias for reduced vocal forces and interspersed with instrumental ritornelli.

Buxtehude’s Membra Jesu nostri takes the form of a sequence of seven meditations on the crucified body of Jesus, beginning with the feet (‘Ad pedes’), followed by the knees (‘Ad genua’), the hands (‘Ad manus’), the side (‘Ad latus’), the breast (‘Ad pectus’), the heart (‘Ad cor’), and the face (‘Ad faciem’). As such, the work is written from the perspective of a penitent kneeling at the foot of the cross and gradually extending his gaze upwards, meditating on each part of the body in turn. The keys chosen for the cantatas seem to have added symbolic meaning. As the gaze rises, they move from flats to sharps, from C minor to E minor, before finally returning to the opening key to produce a beautifully unified cycle.

On this release the cantata cycle is complemented by Matthias Weckmann’s Kommet her zu mir alle, a setting of the words from St Matthew’s Gospel (11: 28 – 30), in which the composer gives the words of Jesus to a virtuoso bass singer with an impressive range of nearly two octaves, a part here performed by Peter Harvey, and provides him with an accompaniment of two violins, three bass viols, and continuo.

The works on this disc are performed by an excellent ensemble of early music specialists. As exclusive artists, The Purcell Quartet is today popularising the cantatas of Buxtehude in concerts and recordings involving a fabulous quartet of soloists – Emma Kirkby,Michael Chance, Charles Daniels, and Peter Harvey – to which, for the occasion, the group is joined by the soprano Elin Monahan Thomas. The Quartet has also recorded a huge range of music exclusively for Chandos, including works by Purcell, Corelli, Lawes, Bach, Handel, Vivaldi, Weckmann, Buxtehude, Leclair, Schütz, Couperin, and Biber, to outstanding critical and public acclaim. The early music specialists Fretwork, the viol ensemble, also performs on this recording.

“…Sopranos Emma Kirkby and Elin Manahan Thomas are excellent throughout…Harvey is a solid, dignified presence elsewhere as well, while tenor Charles Daniels and countertenor Michael Chance are at their eloquent best…”
“Both The Purcell Quartet and Fretwork relish the variegated sonorities afforded by Buxtehude’s score, as well as the word painting, while blending with the voices to effect a homogenous yet multi-timbred sound of great beauty.”

Robert Levett

International Record Review - November 2010

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