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CHAN 0790
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CHAN 0790

My Beloved Spake: Anthems by Purcell and Humfrey

The Classical Shop
release date: November 2012

Recorded in 24 Bit / 96Khz
album available as a Studio File
Originally recorded in 2012

Artists:

St John's Sinfonia


Andrew Nethsingha


David Stout

baritone

Neal Davies

bass

Iestyn Davies

counter-tenor

John Challenger

organ

James Gilchrist

tenor

Choir of St John's College, Cambridge



Venue:

St John's College Chapel, Cambridge



Producer:

Rachel Smith



Engineer:

Jonathan Cooper


Paul Quilter

(Assistant)

Record Label
Chaconne

Genre:

Choir


Orchestral & Concertos

Total Time - 69:32
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HENRY PURCELL

(1659-1695)
1 

Remember not, Lord, our offences, Z 50

3:21
  Full anthem  
  for five-part choir  
2 

Jehova, quam multi sunt hostes mei, Z 135

6:32
  Latin motet  
  for soloists, five-part choir, and continuo  
 James Gilchrist tenor
 Neal Davies bass
3 

O sing unto the Lord, Z 44

13:07
  Verse anthem  
  for soloists, four-part choir, strings, and continuo  
  Peter Hicks treble  
 James Gilchrist tenor
 Neal Davies bass
 Iestyn Davies counter-tenor
 

PELHAM HUMFREY

(1647-1674)
4 

O Lord my God

12:28
  Verse anthem  
  for soloists, four-part choir, strings, and continuo  
 James Gilchrist tenor
 Neal Davies bass
 Iestyn Davies counter-tenor
 

Magnificat and Nunc dimittis

5:52  
  from Evening Service in E minor  
  for six-part semi-chorus, four-part choir, and organ  
  Peter Hicks · Alec D'Oyly trebles  
  Tom Blackie · James Imam counter-tenors  
  Julian Gregory tenor  
  Huw Leslie bass  
5 Magnificat 3:39
6 Nunc dimittis 2:11
   
 

HENRY PURCELL

7 

Behold, now, praise the Lord, Z 3

6:10
  Verse anthem  
  for soloists, four-part choir, strings, and continuo  
 James Gilchrist tenor
 Neal Davies bass
 Iestyn Davies counter-tenor
8 

My beloved spake, Z 28

11:20
  Verse anthem  
  for four-part choir, strings, and continuo  
 James Gilchrist tenor
 Neal Davies bass
 Iestyn Davies counter-tenor
 David Stout baritone
9 

Hear my prayer, O Lord, Z 15

2:40
  Full anthem  
  for eight-part choir  
10 

Rejoice in the Lord alway, Z 49

8:04
  'Bell Anthem'  
  Verse anthem  
  for soloists, four-part choir, strings, and continuo  
 James Gilchrist tenor
 Neal Davies bass
 Iestyn Davies counter-tenor


Established in the 1670s, the Choir of St John’s College, Cambridge is today one of the finest college choirs in the world, known and loved by millions for its recordings and concert tours. On this album, the Choir and St John’s Sinfonia, conducted by Andrew Nethsingha, perform works by Henry Purcell and Pelham Humfrey. They are joined by four soloists: Iestyn Davies, James Gilchrist, David Stout, and Neal Davies.
 
Humfrey was an English composer of the seventeenth century, known mainly for his verse anthems. Being well travelled, he produced works that in their vocal character show the influence of Italian music, and in the instrumental writing that of French music. That said, from these major foreign influences Humfrey forged a personal style that is uniquely English. Although as a composer he was generally forward-looking, his music also shows sub-elements of the English Golden Age of yesteryear. O Lord my God, for instance, is influenced by John Dowland’s celebrated Lachrimae Pavan of almost eighty years earlier.
 
In contrast, the Magnificat and Nunc dimittis were composed simply to be liturgically appropriate, with a text setting that is naturalistic and direct. Humfrey died at the age of twenty-seven, but even at this young age, he exerted a strong influence on his peers, including Henry Purcell, who as a young boy sang treble in Humfrey’s Chapel Royal Choir.
 
The works by Purcell recorded here range from works written when the composer was in his teenage years (Jehova, quam multi sunt hostes mei being a masterly example) to the crowning glory of the recording, O sing unto the Lord, which Purcell wrote when he was in his thirties, and compositionally on fire. At this stage of his career no other composer could touch him. Instruments and voices sing from the same hymn sheet, form and content are inseparable, past and present musical styles seamlessly intermingle, technique and virtuosity are indistinguishable from each other – and soloists and choir mesh together in a dazzling and life-affirming way.

 "... Andrew Nethsingha proves a sensitive director in this all-male collection of mainly shorter anthems ..." ****

Patric Standford - Choir & Organ magazine - January/February 2013


“... The recording is spacious and clear; the performances excellent and the music inspiring.”

Michael Ullman – Fanfare – May/June 2013


 “One more highly commended release from Chandos ... Works range from a rather sublime performance of the much-loved, short, Hear My Prayer, O Lord  through to the more substantial works O Sing unto the Lord 9Purcell) and Humfrey’s O Lord my God. .. with the soloists including countertenor Iestor Davies, tenor James Gilchrist, bass Neal Davies and baritone David Stout, this could not fail to be a superb rendition. Beautifully paced, radiant music from the Choir of St John’s College, Cambridge, St John’s Sinfonia, and the baton of Andrew Nethsingha.”

 
EM Marshall-Luck – Spirited – The Gazette of the English Music Festival – December 2012

                          ****  Excellent album

Xavier de Gaulle - Classica magazine - April 2013


 "... The performances are technically outstanding and thoroughly persuasive in style..."

William Gatens - American Record Guide - March/April 2013


 Performance ****       Recording ****

"...Nethsingha has assembled  a formidable team. Neal Davies’s refulgent bass ideally complements the finely shaded lyricism of James Gilchrist and Iestyn Davies, while the recently formed period instrument St John’s Sinfonia lends stylish, incisive, bright-toned support. The ’Bell’ anthem’s Prelude is buoyant of texture and sparklingly insistent."

Paul Riley - BBC Music magazine - February 2013 


 "It is nice these days to have a chance to hear some of Purcell’s church anthems sung by a choir of boys and men, a sound one imagines to be nearer to what the composer knew than the cleanly blended one we have become familiar with from adult mixed-voice choirs... This is great music ..."

Lindsay Kemp - Gramophone magazine - January 2013


 “... An interesting programme, greatly enhanced by highly distinguished soloists ....”

March Rochester – International Record Review – January 2013




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