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CHAN 0795
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CHAN 0795

Purcell: The Unknown Purcell: Sonatas by Daniel Purcell

The Classical Shop
release date: January 2013

Recorded in 24 Bit / 96Khz

Originally recorded in 2011

Artists:

David Pollock

harpsichord

Hazel Brooks

violin

Venue:

Church of St Michael and All Angels, Summertown, Oxford



Producer:

Adrian Hunter



Engineer:

Adrian Hunter



Record Label
Chaconne

Genre:

Baroque


Chamber

Total Time - 74:15
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DANIEL PURCELL

(c. 1670-1717)
   
premiere recording
1 

Toccata in A minor

0:56
  in a-Moll - en la mineur  
  for harpsichord  
  Published in The 2d Book of the Lady's Entertainment (1708)  
   
premiere recording
2 

Chaconne in A minor

3:48
  in a-Moll - en la mineur  
  Arrangement for violin (or recorder) and continuo of a piece from The Unhappy Penitent (1701)  
  Published in The Second Part of the Division Violin (1705)  
   
premiere recording
 

Solo in D major

7:09  
  in D-Dur - en ré majeur  
  for violin (or recorder) and continuo  
  Published in Six Sonatas, three for two Flutes and a Bass, and three Solos for a Flute and a Bass (c. 1710)  
3 Adagio 1:47
4 Largo 1:52
5 Allegro 1:07
6 Adagio 1:22
7 Giga 1:00
   
premiere recording
 

Solo in B minor

6:14  
  in h-Moll - en si mineur  
  for violin (or recorder) and continuo  
  Published in Six Sonatas, three for two Flutes and a Bass, and three Solos for a Flute and a Bass (c. 1710)  
8 Vivace 1:52
9 Largo 1:28
10 Allegro 1:04
11 Adagio 1:08
12 Allegro 0:41
   
premiere recording
 

Solo in A major

4:24  
  in A-Dur - en la majeur  
  for violin (or recorder) and continuo  
  Published in Six Sonatas, three for two Flutes and a Bass, and three Solos for a Flute and a Bass (c. 1710)  
13 Vivace - 1:44
14 Largo 0:44
15 Adagio 1:06
16 Allegro 0:51
   
premiere recording
 

Suite in D minor/major

7:19  
  in d-Moll/D-Dur - en ré mineur/majeur  
  from A Collection of Lessons and Aires for the Harpsichord or Spinett (1702)  
17 Allemand 2:11
18 Gavott 0:52
19 Hornpipe 1:02
20 March 1:01
21 Aire 1:30
22 Minuett 0:41
   
premiere recording
 

Sonata in A major

6:10  
  in A-Dur - en la majeur  
  Published in Six Sonatas or Solos, three for a Violin and three for the Flute (1698)  
23 [Largo] - 0:58
24 Allegro 1:21
25 Adagio - 1:27
26 [Allegro] 0:39
27 Largo 1:42
   
premiere recording
 

Sonata in B minor

6:25  
  in h-Moll - en si mineur  
  for violin (or recorder) and continuo  
  Published in Six Sonatas or Solos, three for a Violin and three for the Flute (1698)  
28 [Adagio] 2:11
29 Vivace 1:07
30 Largo 2:19
31 Allegro 0:45
   
premiere recording
 

Sonata in D major

6:40  
  in D-Dur - en ré majeur  
  Published in Six Sonatas or Solos, three for a Violin and three for the Flute (1698)  
32 [Adagio] 1:48
33 Largo 1:20
34 Allegro 1:08
35 Grave 1:28
36 [Allegro] 0:55
   
premiere recording
37 

Rondeau in B flat major

1:09
  in B-Dur - en si bémol majeur  
  Probably an arrangement, for harpsichord, of a piece for four-part strings, copied in two early-eightenth-century manuscripts  
   
premiere recording
38 

Lovely charmer

2:47
  Arrangement for harpsichord of a song from The Island Princess (1699), copied in an Oxford manuscript  
   
premiere recording
39 

What ungrateful devil moves you

1:50
  Arrangement for harpsichord of a song from Love's Last Shift (1696), copied in an Oxford manuscript  
   
premiere recording
40 

Alass when charming Sylvia's gon

1:05
  Arrangement for harpsichord of a free-standing song (not dated), copied in an Oxford manuscript  
 

Sonata in D major

5:15  
  in D-Dur - en ré majeur  
  for violin (or recorder) and continuo  
  Published in Six Sonatas or Solos, three for a Violin and three for the Flute (1698)  
41 Poco largo 1:38
42 Vivace 1:05
43 Grave 1:38
44 Allegro 0:54
   
 

Sonata in A major

4:57  
  in A-Dur - en la majeur  
  for violin (or recorder) and continuo  
  Published in Six Sonatas or Solos, three for a Violin and three for the Flute (1698)  
45 Adagio 1:50
46 Allegro - 0:35
47 Largo 0:49
48 Grave - 1:00
49 Allegro 0:40
   
 

Sonata in F minor

8:22  
  in f-Moll - en fa mineur  
  for violin (or recorder) and continuo  
  Published in Six Sonatas or Solos, three for a Violin and three for the Flute (1698)  
50 Adagio 2:52
51 Allegro 1:05
52 Adagio 3:08
53 Allegro 1:15


On this recording we have a selection of works for solo harpsichord and for violin and continuo by Daniel Purcell, most of which are premiere recordings. Traditionally, Daniel Purcell has been known primarily as the younger brother of Henry Purcell (though a strong argument can be made that they were cousins), and it has been said that it was from this family connection only that he derived ‘what little reputation which as a musician he possessed’ (Sir John Hawkins). It is not true, however, that Daniel’s legacy was based entirely on the fame of Henry. Daniel lived for over twenty years after Henry’s death in 1695, adopting styles and forms that only became popular in England around 1700, including the da capo aria, the Italianate cantata and – most relevant to this recording – the solo sonata.   
 
Nearly all of Daniel Purcell’s surviving solo harpsichord music consists of arrangements, the only clear exception being the short Toccata, a brief essay in the style of the preludes from Henry Purcell’s harpsichord suites. The Suite is a simple but effective arrangement of movements from the composer’s own suite, for four-part strings, for Farquhar’s play The Inconstant. The expressive Rondeau is also likely an arrangement of a piece for four-part strings. The other three harpsichord pieces are simple arrangements of Daniel’s songs, derived from Oxford manuscripts, and reflecting Daniel’s links with the city. 
 
Daniel Purcell also wrote a great deal of music for violin (or recorder) and continuo. The Chaconne is a cut-down version of a four-part piece from his suite for Trotter’s play The Unhappy Penitent. Also on this disc are several Sonatas for violin and continuo, inspired by the works of the Moravian composer Gottfried Finger (c. 1655 – 1730), as evident in the cheerful tunefulness of these works, the avoidance of counterpoint, and a fondness for short movements connected in a ‘patchwork’ fashion. 
 
The violinist Hazel Brooks and harpsichordist David Pollock – also known as Duo Dorado – have been charming audiences with their performances since 1999. Inspired by a shared commitment to present music of the seventeenth and eighteenth centuries in an accessible way, these two prize-winning musicians have performed together throughout the UK and beyond. Programmes by the duo have been praised for their varied and colourful textures; of one recording, Early Music Review wrote: ‘The performance from Hazel Brook is assured and stylish, complemented by some fine continuo accompanying as well as spirited solo playing from David Pollock.’ 
 
 
 

“... this well-played recording is a find for those interested in 17th century music.”

Michael Ullman – Fanfare – July/August 2013


“...These are charming and elegant works, played with style on violin and harpsichord. All but 3 of the 6 works on this program are recorded for the first time. Most are the multi-movement sonatas familiar from the baroque era but three are arrangements of songs for the solo harpsichord. This is a wonderful program with good notes and fine sound. “

Ardella Crawford – American Record Guide – May/June 2013


"...This rewarding disc will appeal strongly to those wishing to expand their Baroque or English music horizons." 
William Kreindler - MusicWeb-International.com - April 2013

“... A welcome exploration of 18th-century English chamber music.”
 
Robin Stowell – The Strad – April 2013
 

                     Performance ***      Recording ***
“... Violinist hazel Brooks and harpsichordist David Pollock give competent performances, Brooks’s straight and sinewy sound informed by her experience of playing medieval fiddle. The solo harpsichordist pieces are mostly arrangements of songs or incidental music for the theatre. Playing a rich-toned copy of an Andreas Ruckers harpsichord, Pollack makes the music sing, dance and march with real technical aplomb. The Chandos recording is clean and detailed...”
 
Kate Bolton – BBC Music magazine – March 2013
 

"... Daniel comes over as far more interesting than his current reputation, and the convincing playing is a model in that the music isn’t played in an over-powered, virtuosic way that distorts its  - and no, that’s not a polite way of covering the players with faint praise. The partnership works well, and David Pollock plays his solos with appropiate style and manner. Much of the programme is of music not hitherto on record."

Clifford Bartlett - Early Music Review - December 2012




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