The ‘Italian’ Concerto and ‘French’ Overture included on this album together make up the second part of Bach’s Clavier-Übung, composed, according to Bach himself, ‘for music lovers to refresh their spirits’. Here Steven Devine’s performances show that these works do far more than simply refresh spirits. The ‘Italian’ Concerto has long been thought a product of Bach’s extensive study of Vivaldi’s concerti. It is full of allusions to the style of the Italian orchestral concerto but the idiomatic keyboard writing, particularly in the exquisitely ornamented slow movement, clearly shows the work’s conception as a virtuoso keyboard piece. The large scale of the ‘French’ Overture’s opening movement is unprecedented in the work of Bach, being his longest single keyboard movement. It is grandiose and imposing in character and stands in contrast to the seven shorter, more delicate dance movements that follow. Alongside these large-scale works are the Aria variata ‘alla maniera italiana, the Chromatic Fantasia and Fugue, BWV 903, and the Fantasia in C minor, BWV 906.
Steven Devine plays a double-manual harpsichord by Colin Booth (2000) after Fleischer (1710), which throughout the programme allows him to bring out Bach’s idiomatic contrasts in dynamics and colour.
“…Chandos’s pristine recording makes Devine’s playing a pleasure to listen to and one of the best Bach harpsichord discs I’ve heard. This is strongly recommended.”
Jerry Dubins – Fanfare – November/December 2014
“… The Gvottes, Passpieds and Bourées dance off the page with lively rhythmic swagger and delineation. Devine’s masterly legato fingering brings uncommon linear clarity and transparency to the Sarabande, and the Echo movement’s pronounced dynamic contrasts sound positively modern in their impact, helped by Chandos’s warm and detailed sound.”
"This recommendable CD of some of Bach’s greatest works for the harpsichord, well played with a touch of flair and an individual interpretative approach that removes much of this music from the museum and brings it into our living-rooms, where it belongs..."
Robert Matthew-Walker - International Record Review - June 2014
Performance **** Recording ****
Paul Riley – BBC Music magazine – July 2014