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CHAN 10005
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CHAN 10005

Cramer: Concertos for Piano and Orchestra, Nos 2, 7 & 8

The Classical Shop
release date: September 2002

Recorded in 24 Bit / 96Khz
album available as a Studio File
Originally recorded in 2001

Artists:

London Mozart Players


Howard Shelley

director/piano

Venue:

St Silas The Martyr, Kentish Town, London



Producer:

Rachel Smith



Engineer:

Jonathan Cooper


Michael Common

(Assistant)

Record Label
Chandos

Genre:

Piano


Orchestral & Concertos

Total Time - 77:10
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JOHANN (JOHN) BAPTIST CRAMER

(1771-1858)
Select Complete Single Disc for
   
 

Piano Concerto No. 2, Op. 16

24:51  
  in D minor - in d-Moll - en ré mineur  
1 Allegro non tanto 12:33
2 Andante cantabile 5:59
3 Rondo. Allegretto 6:17
   
 

Piano Concerto No. 7, Op. 56

25:45  
  in E major - in E-Dur - en mi majeur  
4 Allegro con spirito 14:13
5 Larghetto 4:38
6 Rondo. Vivo 6:53
   
premiere recording
 

Piano Concerto No. 8, Op. 70

26:39  
  in D minor - in d-Moll - en ré mineur  
7 Moderato assai - 7:32
8 Larghetto 8:55
9 Rondo a L'Espagnola 10:10
No Notes Found.
…it would be hard to imagine a more colourful, sympathetic advocate than Howard Shelley. He despatches Cramers keyboard pyrotechnics with an ideal blend of elegance and devil-may-care brilliance… Performance ***** Sound *****
BBC Music Magazine

In all three works, Howard Shelleys pianism is alert and subtly lyrical, bringing out the many technical demands with fluency, clarity, and with an absorbing feeling for agogic accent. These are fully realised interpretations that deceptively suggest a lifetime of performance experience.
Fanfare

'Howard Shelley plays with dazzling brilliance throughout''
The Guardian

'These amiable works cry out for the most scintillating pianism. Which is just what they get from Howard Shelley who throws off cascades of octaves and double thirds with glittering panache, and brings real vocal eloquence to the lyrical melodies.'
The Telegraph

'And it would be hard to imagine a more colourful, sympathetic advocate than Howard Shelley.'
BBC Music Magazine

'In all three works, Howard Shelley's pianism is alert and subtly lyrical, bringing out the many technical demands with fluency, clarity, and with an absorbing feeling for agogic accent. These are fully realised interpretations that deceptively suggest a lifetime of performance experience.'
Fanfare




*****
W Myers