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CHAN 10154
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CHAN 10154
Orchestral Works, Vol.1

Bax: Orchestral Works, Volume 1

The Classical Shop
release date: September 2003

Originally recorded in 2002

Artists:

London Philharmonic Orchestra


Bryden Thomson


Raphael Wallfisch

cello†

Margaret Fingerhut

piano‡

Lydia Mordkovitch

violin*

Venue:

St Jude on the Hill, Hampstead, London


All Saints' Church, Tooting, London



Producer:

Brian Couzens

(other works)

Tim Oldham

(Violin Concerto)

Engineer:

Tim Handley

(Assistant: Morning Song)

Philip Couzens

(Assistant: Cello Concerto)

Peter Sheldon

(Assistant: Violin Concerto)

Ralph Couzens

(other works)

Richard Lee

(Violin Concerto)

Record Label
Chandos Classics

Genre:

Orchestral & Concertos




Total Time - 77:09
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Orchestral Works, Vol.1

 

ARNOLD BAX

(1883-1953)
Select Complete Single Disc for
   
  Orchestral Works, Volume 1  
   
 

Concerto for Violin and Orchestra*

35:08  
1 I Overture, Ballad and Scherzo. Allegro risoluto - Allegro moderato - Poco largamente 14:43
2 II Adagio 11:42
3 III Allegro - Slow valse tempo - Andante con moto 8:43
   
 

Cello Concerto†

33:47  
4 I Allegro moderato 14:22
5 II Nocturne. Lento - Andante con moto 10:35
6 III Molto vivace 8:49
   
7 

Morning Song (Maytime in Sussex)‡

8:15
October marks the fiftieth anniversary of the death of Sir Arnold Bax.To celebrate the works of this composer, Chandos are making available, for the first time, their celebrated recordings of Bax’s orchestral works on their mid-price label, Chandos Classics. Volumes One and Two are released here, and subsequent volumes will follow in the months to come.

This new coupling brings Bax’s Violin and Cello Concertos together for the first time, and includes the highly attractive Morning Song.

Both Lydia Mordkovitch and Raphael Wallfisch are regarded as outstanding soloists.


"In the early 1930s Sir Arnold Bax was at the peak of his reputation, and was widely regarded as one of the leading composers of the day. His first five symphonies had all been premiered prior to the emergence of other significant British symphonic works of the 30s, so when Bax’s new Cello Concerto appeared in March 1934 it was heralded as the work of a major figure. The work is scored for smaller forces than was Bax’s custom: only two trumpets, no trombones or tuba, and no percussion other than timpani. Often Bax needs no more than chamber music textures and these make the perfect accompaniment for the cello soloist.

Bax completed his Violin Concerto a few years later in 1938. The work marks a new approach for Bax. Comparatively lightly scored, it is charming and romantic in contrast to the ‘Sturm und Drang’ of his symphonies. He dedicated the piece to Heifetz, but according to William Walton, Heifetz found the work disappointing – presumably because it wasn’t sufficiently virtuosic – and the work was not premiered until 1943 when Sir Henry Wood conducted it at the BBC Proms.

In 1947 Bax was commissioned to write a piece to celebrate the twenty-first birthday of Princess Elizabeth. He produced a short atmospheric aubade in the simplest style, celebrating the countryside of his beloved Sussex downland, the area in which he had lived since just after the outbreak of World War Two.
"

He conducts a mellow affectionate performance of the Concerto… Lydia Mordkovitch plays the solo part with real flair and richness of tone and seems to me to bring poetic and romantic feelings to the work…
Gramophone

The Cello Concerto is rhapsodic in feeling and Raphael Wallfisch plays it with marvellous sensitivity and finesse, given splendid support by the LPO under Bryden Thomson.
The Penguin Complete Guide

The Violin Concerto is full of good, easily remembered tunes, yet there is a plangent, bitter-sweet quality about many of its ideas and an easygoing Mediterranean-like warmth that is very appealing. Lydia Mordkovitch plays it with commitment and conviction.
The Penguin Complete Guide



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