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CHAN 10179
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CHAN 10179

Verhulst: Symphony in E minor

The Classical Shop
release date: March 2004

Originally recorded in 2003

Artists:

Residentie Orchestra The Hague


Matthias Bamert



Venue:

Dr Anton Philipszaal, The Hague, The Netherlands



Producer:

Brian Couzens



Engineer:

Michael Common

(Assistant)

Ralph Couzens

(other works)

Jonathan Cooper

(Overture in B minor)

Record Label
Chandos

Genre:

Orchestral & Concertos




Total Time - 57:52
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Buttonbooklet
 

JOHANNES VERHULST

(1816-1891)
Select Complete Single Disc for
   
premiere recording
1 

Overture in B minor, Op. 2

7:01
  in h-Moll - en si mineur  
  for Orchestra  
  Vivace - Plus vite, doublez la mesure  
2 

Overture in C minor, Op. 3 'Gijsbrecht van Aemstel'

8:45
  in c-Moll - en ut mineur  
  for Orchestra  
  Adagio maestoso - Alegro agitato -  
3 

Overture in D minor, Op. 8

6:28
  in d-Moll - en ré mineur  
  for Orchestra  
  Vivace - Un poco più presto - Più stretto  
 

Symphony in E minor, Op. 46

35:52  
  in d-Moll - en mi mineur  
  for Large Orchestra  
4 I Introduction. Largo maestoso - Allegro agitato 14:19
5 II Andante 7:08
6 III Scherzo. Presto 5:58
7 IV Finale. Con brio 8:13
This is the ninth disc in Chandos’ survey of neglected Dutch music.The series so far has garnered high praise.

Verhulst’s Symphony in E minor was written in Leipzig in 1841 and achieved lasting popularity for its warm, colourful orchestration and youthful freshness. The gifts of the young Verhulst emerge in all three of his concert overtures, which were composed between 1835 and 1839, the years of his apprenticeship.

Verhulst’s music is characteristic of its time and reminiscent of that of Schumann and Mendelssohn, with whom he was well acquainted.

The works are here performed by the distinguished Residentie Orchestra The Hague, conducted by Matthias Bamert.

The disc contains the premiere recordings of the Overtures in B minor and D minor.


Several major Dutch cities have a Johannes Verhulst Street or Verhulst Square. Nevertheless, very few of their inhabitants realise the importance of the composer and conductor who reigned over Dutch musical life for some forty years.

Verhulst was a protégée of Mendelssohn’s and became musical director of Leipzig’s popular Euterpe concerts. The success of his compositions led to a knighthood from King Willem II and the position of Director of the Royal Music. Other prestigious directorships followed. His influence was tremendous: he familiarised Dutch audiences with the works of Schumann, Gade and Brahms; he had a great affinity for the music of Beethoven, setting a new standard for its performance; his international reputation was confirmed with an honorary membership, together with Liszt, Berlioz and Gade, awarded by London’s Royal Philharmonic Society.

As the years went on, however, his supreme rule met with increasing resistance, chiefly because his interests in programme-building extended little beyond the idioms of Mendelssohn and Schumann. He categorically refused to perform the works of Berlioz, Liszt, and his greatest bugbear, Richard Wagner. Both press and public protested more and more vociferously. In 1886 he was dismissed from his post as director of the music society Diligentia. Soon he withdrew from public life altogether, a bitter man.

Verhulst’s growing conservatism as a musical leader had a detrimental effect on the public’s appreciation of his own compositions, most of which he wrote before the age of thirty-five. In fact, it doomed his works to almost total obscurity for they have rarely been heard since his death. It is hoped that the present recording will go some way towards correcting this injustice.


'This disc is a winner on every point, and the sumptuous harmonies, memorable melodies, and exceptional advocacy combine to make this not only an aural work of art, but also a leading candidate for my Want List.'
Fanfare

This is enjoyable and cultivated music and is persuasively performed here, the Residentie Orchestra responging eagerly to Matthias Bamerts clear-sighted direction and ear for detail. The recording is excellent, as is Leo Samamas extensive booklet note. One wants now to explore Chandos previous issue of Verhulst, his Mass setting, Op. 20.
Gramophone



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