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CHAN 10337M
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CHAN 10337
(multiple CD Set)

Dyson:Violin Concerto/ Children's Suite/Concerto leggiero/Concerto da camera/Concerto da chiesa

The Classical Shop
release date: September 2005

Originally recorded in 2004

Artists:

City of London Sinfonia


Richard Hickox


Eric Parkin

piano†

Lydia Mordkovitch

violin*

Venue:

St Jude on the Hill, Hampstead, London



Producer:

Ralph Couzens

(Violin Concerto, Children's Suite), Tim Oldham (other works)

Engineer:

Peter Sheldon

(Assistant: other works)

Richard Smoker

(Assistant: Violin Concerto, Children's Suite, Concerto da chiesa)

Ben Connellan

(Violin Concerto, Children's Suite), Richard Lee (other works)

Record Label
Chandos Classics

Genre:

Violin


Orchestral & Concertos

Total Time - 132:46
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GEORGE DYSON

(1883-1964)
   
 

Violin Concerto*

43:09  
1 I Molto moderato 20:15
2 II Vivace 5:07
3 III Poco andante 10:36
4 IV Allegro ma non troppo 6:58
   
 

Children's Suite after Walter de la Mare

19:07  
5 I Leggiero 5:44
6 II Pastoral. Tranquillo 4:38
7 III March. Alla marcia 2:13
8 IV Whirligig. Di Ballo 6:17
   
 

Concerto leggiero†

24:49  
9 I Allegro - Vivace - Andante sostenuto ed espressivo 10:11
10 II Andante - Largamente sempre - Molto largamente‡ 7:40
11 III Vivace 6:58
   
 

Concerto da camera

24:54  
12 I Allegro assai 7:38
13 II Andante‡ 9:29
14 III Larghetto - Con brio 7:45
   
 

Concerto da chiesa‡

21:19  
  for string orchestra  
15 I Veni, Emmanuel. Andante 8:36
16 II Corde natus. Allegretto - Quasi allegro - Tempo I 5:45
17 III Laetatus sum. Allegro 6:56
   
 Lydia Mordkovitch violin*
 Eric Parkin piano†
  ‡solo string quartet:  
  Andrew Watkinson leader - Edward Roberts violins  
  Stephen Tees viola  
  Stephen Orton cello  
 Richard Hickox
  6 & 7 January 1991 (Concerto leggiero, Concerto da camera), 6 January 1992 (Concerto da chiesa), 2 & 3 November 1994 (Violin Concerto, Children's Suite)  
Chandos has long championed the music of George Dyson and has gathered together these two pioneering CDs at mid-price for the first time. Both these CDs received the coveted ‘Rosette’ from the Penguin Guide to Compact Discs.

Richard Hickox is famous for his recordings of English music, and Lydia Mordkovitch’s characterful account of the Violin Concerto is undoubtedly one of the highlights.

This is the most comprehensive Dyson collection available and, for some of these works, the only available recordings.


If told that a man who was a teacher, broadcaster, author, administrator and public figure also composed in his spare time, we might be tempted to dismiss his music as ‘academic’. In Dyson’s case we would only have to listen to a few bars of any of the works presented here to find our expectations confounded. The prevailing temper is lyrical, even romantic; the scoring is masterly; there is a dramatic streak and a sense of colour: Dyson was a poet, not a pedant (he disliked pretentious solemnities of all kinds, within music and without). His Violin Concerto was completed in 1941.A modern concerto in four movements is comparatively unusual; the work has a quasi-symphonic scale. The arresting opening tutti is almost tragic in tone, while the violin’s entry is brooding and elegiac. The scherzo is a fast jig, the brilliant soloist rushing on in endless triplets. The slow movement calls for only muted strings while the finale is vigorous, one commentator wondering whether it took its origin in ‘thoughts of the sunny south’.

The four-movement suite for small orchestra, Children’s Suite after Walter de la Mare, evokes the nursery atmosphere that was popular at the time of its composition. In the opinion of The Sunday Times, it was ‘a charming work, and the best novelty we have had this season’.

The Concerto leggiero (1951) is Dyson’s only contribution to piano concerto literature – the first movement as tautly structured as any by Mozart and the elegiac slow movement, full of haunting melodic phrases, with a quasi-Mozartian concentration.

The Concerto da camera (i.e. secular) and Concerto da chiesa (i.e. sacred), both from about 1949, belong to a great English tradition of writing for strings. The former is athletic and muscular while the latter is founded mainly on old hymn melodies; towards the end there is a remarkable passage whose harmonic colours glow like a stained-glass window. Like the rest of Dyson’s music it is beautifully made and inflamed with his passion and spirit.


Here is a CD that I recommend with all possible enthusiasm…
Gramophone on CHAN 9076

Lydia Mordkovitch’s playing is wonderfully polished and her feeling for Dyson’s line and phrasing is intelligently musical.
The Strad on Dyson’s Violin Concerto



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