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CHAN 10443
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CHAN 10443

Debussy: Complete Works for Piano, Volume 2

The Classical Shop
release date: November 2007

Recorded in 24 Bit / 96Khz
album available as a Studio Master
Originally recorded in 2007


Jean-Efflam Bavouzet



Potton Hall Studio, Westleton, Suffolk


Ralph Couzens


Ralph Couzens

Record Label



Total Time - 64:53
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Ballade (Ballade slave) (c. 1890/1903)

  pour le piano  
  À Madame Philippe Hottinguer  
  Andantino con moto (Tempo rubato) - Animez peu à peu - Molto calmato - Tempo I  

Valse romantique (c. 1890)

  À Mademoiselle Rose Depecker  
  Tempo di valse (Allegro moderato)  

Danse (Tarantelle styrienne) (c. 1890-1903)

  pour le piano  
  À Madame Philippe Hottinguer  
  Allegretto - [ ] - Tempo I - Poco allargando - Vivo  

Images (oubliées) (1894)

  À Mademoiselle Yvonne Lerolle  
4 1 Lent (mélancolique et doux) 3:55
5 2 Dans le mouvement d'une 'Sarabande',… 4:14
  c'est-à-dire avec une élégance grâve et lente, même un peu vieux portrait, souvenir du Louvre, etc.  
6 3 Quelques aspects de 'Nous d'irons plus au bois'… 3:40
  …parce qu'il fait un temps insupportable. Très vite - Modéré - Premier Mouvement (vif et joyeux)  

Estampes (1903)

7 Pagodas. Modérément animé 4:56
8 La soirée dans Grenade… Mouvement de Habanera 4:53
9 Jardins sous la pluie. Net et vif 3:18

Pour le piano (1894-1901)

10 I Prélude. À Mademoiselle M.W. de Romilly. 4:06
  Assez animé et très rythmé - Tempo di cadenza - Tempo I  
11 II Sarabande. À Madame E. Rouart (née Y. Lerolle). 4:12
  Avec une élégance grave et lente  
12 III Toccata. À N.G. Coronio. Vif 3:31

Masques (1903-04)

  Très vif et fantasque - Cédez un peu - Tempo I - Sans retenir  

L'Isle joyeuse (1903-04)

  Quasi una cadenza - Tempo: Modéré et très souple - Un peu cédé. Molto rubato - Peu à peu animé - Plus animé - Un peu cédé - Tempo: très animé jusqu'à la fin  

…D'un cahier d'esquisses (1903)

  Très lent - En animant peu à peu - En animant - Encore plus lent et plus lointain  
Volume one was very well received, and The Sunday Times made it Classical CD of the Week.
?Jean-Efflam Bavouzet will be interviewed on Classic FM to coincide with the release.
Critical acclaim has been unrestrained

Jean-Efflam Bavouzet here presents his second volume of Debussy’s Complete Works for Piano, which reveals a more reflective, private period in Debussy’s compositional career.

Debussy won the Prix de Rome in 1884 at the age of twenty-one and through it tasted institutional life for the first and last time. It was one of the most miserable periods in his life. Quite aside from having to leave his Parisian mistress, Debussy was never comfortable with the demands of public situations, and all through these works we find a tension between public and private utterance. Opening the disc are three early works, the Ballade, Valse romantique and Danse, which Debussy offered to his publisher as a group. They show how far he was prepared to go to please the elite, but also the extent to which he was determined to follow his own path, and from this point on he took more control of his writing.

In his dedication of the three Images of 1894 to Yvonne Lerolle, Debussy makes explicit reference to the tension he was feeling: ‘These pieces would feel extremely nervous entering “the brilliantly lit salons” regularly patronised by people who don’t like music. They are rather “conversations” between the Piano and Oneself.’ They are complemented here by Estampes, which represent a kind of retreat by Debussy into his private world after the premiere of Pelléas et Mélisande and his being decorated as Chevalier de la Légion d’honneur in 1902. It shows the first real sign of his bending the piano to his will. Completing the recording are three smaller works written in the years 1903-04, Masques, L’Isle joyeuse and …D’un cahier d’esquisses.Debussy’s works have been central to the performance repertoire of Jean-Efflam Bavouzet for many years but with this series he records his interpretations of them on CD for the first time. As The Sunday Times noted, ‘Bavouzet has taken his time before committing his interpretations to disc but here he announces himself a peerless Debussyiste… Bavouzet’s command of touch, colour and rhythmic vitality are all that one could ask for… This is essential Debussy, immaculately realised’. About Volume 1, Gramophone wrote, ‘Bavouzet commands all the shading, nuance and timbral sensitivity one expects in Debussy, together with virtuoso flair and characterful spontaneity…’ This series is very much a personal project for Bavouzet who has been involved in all aspects of the recording.

For lovers of Debussy, and great piano playing, this is essential listening.

             Editor’s Choice - Awards Shortlist

Gramophone magazine

                    Awards Shortlist

Midem Classical Awards 2009

              Instrumental CD of the Month

Classic FM Magazine

Review for the  Debussy series  CHAN 10421, 10467, 10443, 10497 & 10545
"...Debussy playing does not come any better than this, and anyone starting to collect this excellent Chandos series need not really look any further. The CDs are available separately each in turn was given a ’Gramophone Award..."

The Pengiun Guide – 1000 Greatest Classical Recordings 2011-12

Bavouzet plays even such neglected gems as the Ballad and Valse romantique as though he were suspended in a dream-world, revelling in the music’s multi-layered sonic terracing with a captivating range of keyboard touch and micro-pedalling…. Playing that takes us through new realms of experience.

I had the highest praise for Jean-Efflam Bavouzet’s first volume of Debussy, and the present disc is fully the equal of that one in terms of colour, refinement of touch, spontaneity and technical finish… Bavouzet has written that his Debussy playing has been influenced by that of Gieseking, Michelangeli and Richter. You may hear something of each of these pianists in his playing but more that that you will heart his own distinctive and special voice.
International Record Review

Diapason d’Or 2008

Diapason Magazine

This second volume of Jean-Efflam Bavouzet’s Debussy cycle reveals the intelligence of his programming. A trio of three-movement works is at its heart, but the disc opens and closes with two further triptychs, pseudo-cycles of contemporaneous pieces usually heard in isolation. Bavouzet’s strengths are also to the fore, with glowing colours in the opening Ballade and Valse romantique followed by sparkling elegance in the Danse.
BBC Music Magazine

R Oddy

K Gleadall