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CHAN 10605
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CHAN 10605

Casella: Symphony No. 2/ Scarlattiana

The Classical Shop
release date: June 2010

Recorded in 24 Bit / 96Khz
album available as a Studio Master
Originally recorded in 2009


BBC Philharmonic

Gianandrea Noseda

Martin Roscoe



Studio 7, New Broadcasting House, Manchester


Brian Pidgeon

Mike George


Stephen Rinker

Owain Williams

(Assistant: Scarlattiana)

Vanessa Nuttall

(Assistant: Symphony No. 2)

Record Label


Orchestral & Concertos

Total Time - 76:14
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Symphony No. 2, Op. 12 (1908-10)

  in C minor - in c-Moll - en ut mineur  
  a grande orchestra  
  A G. Enesco  
1 I Lento, grave solenne - Allegro energico - Assai più lento (quasi Andante calmo) - 12:32
2 II Allegro molto vivace - Pesante - Furioso - Maggiore. Più allegro - D.C. al principio 8:41
3 III Adagio, quasi andante - Animando poco a poco ed appassionando sempre più - Allargando - 10:48
4 IV Finale. Tempo di marcia ben risoluto, con fuoco - Feroce. Con energia selvaggia, brutale - 10:51
5 V Epilogo. Adagio mistico. Con tutta l'intensità di espressione possibile - Poco a poco crescendo - 6:11

Scarlattiana, Op. 44 (1926)

  Divertimento su musiche di Domenico Scarlatti  
  per pianoforte e piccolo orchestra  
  A Vittorio Rieti  
6 I Sinfonia. Lento, grave - Allegro molto vivace - Animato e brillante - 5:27
7 II Minuetto. Allegretto ben moderato e grazioso 6:13
8 III Capriccio. Allegro vivacissimo ed impetuoso - Sempre più forte - 3:48
9 IV Pastorale. Andantino dolcemente mosso. Lievemente agitando - Calmando - 5:56
10 V Finale. Lento molto e grave - Presto vivacissimo - Ferocemente - Improvvisamente - 5:47
 Martin Roscoe piano
Casella: Symphony No. 2, etc. - BBC PO, Gianandrea Noseda
As part of the Musica Italiana series, the BBC Philharmonic and Gianandrea Noseda perform two important works by Alfredo Casella, a largely forgotten Italian composer who was actually one of the most important of his generation. Italian composers in the early years of the twentieth century were not much interested in the symphony. Casella, however, was a major exception. On the advice of Giuseppe Martucci, the thirteen-year-old Casella had been sent to the Paris Conservatoire where, alongside outstanding fellow students such as Maurice Ravel and George Enescu, he received the all-round professional training that would not have been available to him in Italy.
He was much influenced in his early piano pieces not only by his composition teacher, Gabriel Fauré, but also by Debussy and Ravel. His next stylistic allegiance, with the Russian Nationalists, was also a product of his Parisian environment, not least by way of the formative friendship with Ravel. But in his passion for the music of Gustav Mahler he was, in French circles at least, more or less on his own. As Mahler was moved to learn when he first met Casella, in Paris in 1909, the young composer knew his symphonies ‘by heart.’ Symphony No. 2 in C minor is dedicated to George Enescu, and here receives its premiere recording. Many examples of themes, harmonic colours, and orchestral sounds derive directly from the music of his hero figure, Mahler, but no one who knows the two composers could ever mistake one for the other. Casella has his own distinctive personality and his own agenda, and his passion turns into exhilarating frenzy.
Drawing from as many as ninety of the hundreds of Scarlatti sonatas available to him, in the neoclassical Scarlattiana, Casella presents an abundance of melody, the work’s general light-heartedness effectively offset by such thoughtful episodes as the matching slow introductions to the opening Sinfonia and the Finale.
These two orchestral works demonstrate Casella’s fascinating tonal language. They are beautifully conducted by Gianandrea Noseda, a long-time champion of Casella’s works.

“Recorded sound for both works is very full and captures all the graduations of the orchestral timbre …”
“…this enterprising release (apparently the premiere of the Symphony) merits the fullest rating.”  *****

Curtis Rogers

Musical Opinion - January/February 2011

“…highly recommended to all collectors.”

Paul A Snook

Fanfare - November/December 2010

“…Martin Roscoe – a connoiseur’s pianist – proves an ideal soloist for Gianandrea Noseda and the BBC Philharmonic…”

Graeme Kay

International Piano Magazine - November/December 2010

                 ‘IRR Outstanding’
“…anyone with more than a passing interest in this fascinating composer needs to have this remarkable disc.”

Ivan Moody


International Record Review - July/August 2010

“…Martin Roscoe is a witty, trenchant piano soloist and the Chandos sound brings out all the piquancy of Casella’s artfully un-18th century orchestration.”

Arnold Whittall

Gramophone - August 2010

“…Casella’s 2nd symphony, played by the BBC Philharmonic under Gianandrea Noseda for Chandos, shows many signs of Mahler’s influence, while also revealing Casella’s own voice, and Scarlattiana, a Divertimento on the music of Domenico Scarlatti and Martin Roscoe playing the important piano part, gives an entertaining half an hour…”

Peter Spaull

Liverpool Daily Post - 26 June 2010

“What a fantastic piece Alfredo Casella’s Second Symphony is! “ “…Casella’s kaleidoscopic orchestration played here with virtuosity by the BBC Philharmonic driven by a totally committed Gianandrea Noseda, the music’s many colours revealed by a recording of depth, physical impact and clarity (sympathetic or on-holiday neighbours required!)”  “..After this, Scarlattiana (1926) is a jeu d’espirit of the highest order, light-hearted, cheerful music, quite Parisian…” “Martin Roscoe is the nimble and sensitive pianist and members of the BBC Philharmonic seem to b enjoying themselves; a feast for listeners who enjoy music that is somewhat tongue-in cheek. But the symphony is the thing, and that couldn’t be bettered, served in this its first recording.”

Colin Anderson - 5 June 2010

         ‘CD of the Month’
“…Gianandrea Noseda’s performance is breathtaking, with the BBC Philharmonic revelling in Casella’s outlandish colours. There are many moments to savour…” “…it’s delightful, effervescent stuff.”

Graham Rickson - 19 June 2010

“…This is music of immense dramatic flair, ably shaped by Noseda and delivered in wide-ranging Chandos sound – not SACD, but still full of impact.”

Barry Forshaw

18 June 2010

“…under Noseda’s guidance there is cohesion, drive and passion, and the playful Scarlattiana (1926) reveals Casella’s spirited allegiance to the clarity and perkiness of neo-classicism.”

Geoffrey Norris

The Telegraph - 13 June 2010

                                   Performance ****      Recording ****


Christopher Dingle

BBC Music Magazine - July 2010

M Burford

S Fuchs