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CHAN 10612
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CHAN 10612

Lydia Mordkovitch pays tribute to David Oistrakh

The Classical Shop
release date: September 2010

Originally recorded in 2009

Artists:

Clifford Benson

piano

Marina Gusak-Grin

piano

James Kirby

piano

Nicholas Walker

piano

Lydia Mordkovitch

violin

Venue:

The Maltings, Snape, Suffolk


Potton Hall, Dunwich, Suffolk



Producer:

Tim Oldham

(Poème, Violin Sonata)

Brian Couzens

(Sonata No. 2)

Ralph Couzens

(Sonata, Op. 6 No. 7, Caprice No. 23, 'Daisies')

Engineer:

Richard Lee

(Assistant: Poème)

Michael Common

(Assistant: 'Daisies')

Philip Couzens

(Assistant: Sonata No. 2)

Ralph Couzens

(Sonata No. 2, Poème, 'Daisies')

Jonathan Cooper

(Sonata, Op. 6 No. 7, Caprice No. 23)

Ben Connellan

(Violin Sonata)

Record Label
Chandos Classics

Genre:

Violin


Chamber

Total Time - 79:35
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PIETRO ANTONIO LOCATELLI

(1695-1764)
 

Sonata, Op. 6 No. 7 'Au tombeau'

15:16  
  in F minor - in f-Moll - en fa mineur  
  Arranged for Violin and Piano by Eugène Ysaÿe  
1 I Lento assai e mesto - Adagio in modo di recitativo - 5:06
2 II Allegro moderato e con passione - 2:07
3 III Adagio 2:29
4 IV Cantabile. Tempo molto moderato - Maggiore - Con brio - 5:32
 Nicholas Walker piano
5 

Caprice No. 23 'Il labirinto armonico'

3:21
  from L'arte del violino: XXI concerti… con XXIV capricci ad libitum, Op. 3 for Solo Violin  
  Facilis aditus, difficilis exitus  
  Allegro moderato  
 

EUGENE YSAYE

(1858-1931)
 

Sonata, Op. 27 No. 2

14:26  
  in A minor - in a-Moll - en la mineur  
  for Solo Violin  
  To Jacques Thibaud  
6 I Obsession. Prelude 2:50
7 II Malinconia 3:26
8 III Danse des ombres. Sarabande 5:12
9 IV Les Furies 2:55
   
 

ERNEST CHAUSSON

(1855-1899)
10 

Poeme, Op. 25

14:17
  Arranged for Violin and Piano  
 Marina Gusak-Grin piano
 

DIMITRI SHOSTAKOVICH

(1906-1975)
 

Sonata, Op. 134

29:40  
  for Violin and Piano  
11 I Andante 9:27
12 II Allegretto 6:20
13 III Largo - Andante - Largo 13:51
 Clifford Benson piano
 

SERGE RACHMANINOFF

(1873-1943)
14 

Daisies

2:42
  No. 3, 'Margaritki', from Six Songs, Op. 38  
  Arranged for Violin and Piano by Fritz Kreisler  
  Lento  
 James Kirby piano


David Oistrakh (1908 – 1974), one of the most famous violin virtuosos of the last century, made many recordings and was the dedicatee of numerous works for violin. Among the many violin virtuosi of the younger generation whom he inspired is Lydia Mordkovitch, one of his star pupils. In this CD she pays tribute to her great teacher.

For Chandos Lydia Mordkovitch has recorded many works famously associated with Oistrakh, including violin concertos by Khachaturian and Shostakovich, all of which were written for him. Her recording of Shostakovich’s two concertos won a Gramophone Award in 1990. Indeed, her style of playing has many of the hall marks of Oistrakh’s: incredible virtuosity, rich colouring, and above all a passion which is totally Russian in spirit.

In this collection Lydia Mordkovitch brings together pieces with which Oistrakh was associated. The programme ranges widely, from newly recorded music by Pietro Locatelli to a classic version of Chausson’s gorgeous Poème. Of course, Shostakovich is represented – a composer very closely associated with Oistrakh – Lydia Mordkovitch giving his Violin Sonata a superbly nuanced performance, plumbing real depths of feeling without any sentimentality. Rachmaninov has to be included too and Daises is a particularly lovely piece of music. Oistrakh gave sparkling performances of the technically challenging music of Ysaÿe, and Lydia Mordkovitch here proves that she can meet the challenges with equal brilliance.

“This truly dazzling but heartfelt homage to Mordkovich’s mentor David Oistrakh contains only one work  - Chausson’s Poeme – from mainstream repertoire and showcases Mordkovich’s wonderful technique as much as her fiery commitment and perceptive playing.”
“…Powerful stuff! David Oistrakh would have been proud.”

GK
 

Limelight - February 201

“…The Locatelli Sonata, in Ysaye’s arrangement, presents a highly romanticised idea of Baroque music, and Lydia Mordkovitch’s performance is suitably extravagant; her rhapsodic style in the first and third movements is especially striking. “ “…There’s an element of extravagance in the Chausson, too but what’s remarkable here is Mordkovith’s range of tone and the way she finds the right sound for each episode of this emotionally charged drama. Even more impressive is the way she disciplines her natural exuberance to the uncompromising demands of the Shostakovich. This is a splendid performance…”

Duncan Druce

Gramophone - December 2010

“A well-filled disc of pleasing sound quality.”
                                                                                                     

David Denton
 

The Strad - November 2010



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