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CHAN 10626
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CHAN 10626

The Piano Music of Earl Wild

The Classical Shop
release date: November 2010

Originally recorded in 2010


Xiayin Wang



American Academy of Arts and Letters, New York, NY


Bill Schwartz


Leszak Maria Wojcik

Record Label



Total Time - 78:42
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Grand Fantasy on 'Porgy and Bess' (1976)

  Based on themes from the opera by George Gershwin  
1 Introduction - 0:15
2 Jasbo Brown Blues - 1:46
3 Summertime - 2:59
4 Oh, I can't sit down - 1:32
5 My man's gone now - 3:10
6 I got plenty o' nuttin' - 3:07
7 Buzzard Song - 2:35
8 It ain't necessarily so - 4:06
9 Bess, you is my woman now - 2:45
10 I loves you, Porgy/Bess, you is my woman now - 2:06
11 There's a boat dat's leavin' soon for New York - 2:46
12 Oh Lawd, I'm on my way 1:27

Seven Virtuoso Etudes (1976)

  Based on songs by George Gershwin  
13 1 Liza 3:42
14 2 Somebody loves me 3:03
15 3 The man I love 2:25
16 4 Embraceable you 3:05
17 5 Oh, lady, be good! 4:18
18 6 I got rhythm 2:15
19 7 Fascinating rhythm 1:39

Improvisation on 'Someone to Watch over Me' (1990)

  in the form of a theme and three variations on the song by George Gershwin  
20 Theme 3:12
21 Barcarolle 2:31
22 Brazilian Dance 2:31
23 Tango 4:14

Piano Sonata (2000)

24 I Allegro (March) 6:12
25 II Adagio 6:39
26 III Toccata (à la Ricky Martin) 4:22

Earl Wild, the legendary piano virtuoso, who died on 23 January 2010 aged ninety-four, was fondly known as the Peter Pan of pianists on account of his perennial youthfulness and stamina when tackling the great romantic blockbuster concertos that formed the centrepiece of his repertoire.
Throughout his life, Wild composed a large quantity of music, from television scores to ballet music, but mainly piano transcriptions of other composers’ works, which he imbued with his own distinct voice. Famous for a unique style that encompassed many influences, both classical and popular, he will be remembered as one of the great interpreters of Liszt, Rachmaninoff, and, perhaps most significantly, George Gershwin.

This recording comprises Earl Wild’s arrangements of well-known Gershwin tunes, as well as the Piano Sonata, an original composition from 2000, which carries strong imprints of jazz, blues, rag, and American folk music, while still remaining firmly rooted in the classical form. Wild’s Grand Fantasy on ‘Porgy and Bess’ explores well-known songs presented in a free-flowing way that ultimately produces the feel of a single work. Simply to list the songs as they are heard would be misleading, as they drift in and out, receiving different treatments. For example, phrases from
‘Summertime’ are used throughout the piece in transitions from one section to another, and ‘I got plenty o’ nuttin’’ is presented as a complex and lively march while ‘There’s a boat dat’s leavin’ soon for New York’ brings the work to a flashing conclusion.

In contrast to the Grand Fantasy, which uses several of Gershwin’s melodies within one single span, the Seven Virtuoso Études does exactly the opposite. Here seven Gershwin songs are treated separately, each showcasing challenging piano techniques and thus placing great virtuosic demands on the performer. ‘The man I love’ makes extensive use of difficult polyrhythm, and demanding scales and arpeggios govern ‘Embraceable you’ while ‘Somebody loves me’ uses legato to evoke a colourful but dreamy mood.

The works on this recording are performed by the young American pianist Xiayin Wang who with her consummate technical brilliance and fine musicianship has already achieved a high level of recognition for her commanding performances in such venues as New York’s Carnegie Hall and Lincoln Center. Very active on the concert platform, she was the featured performer at the conference of the League of American Orchestras in June.

"Wang’s conrol over this material is extraordinary, and the raw power of this slight young woman at the keyboard is not to be believed."

               ’One of AllMusic’s Best Classical Music Albums of 2011’

Jim Manheim - AllMusic - December 2011

“…This is an enjoyable and easy-to-listen-to 79 minutes…”

Mark L Lehman – American Record Guide – March/April 2011

“…The sound is clear and vibrant, as has been my experience on many Chandos recordings. Though Wild will always be primarily remembered as one of the great pianists of the 20th century, he did write soe very attractive music that will hopefully be explored by more pianists in the future; for now, if this is the type of repertoire in which one is interested, then this is the pianist that one wants playing it.”

Scott Noriega – Fanfare Magazine  - 28 March 2011

   Performance ****    Recording ****
“Xiayin Wang plays this music cleanly and with technical aplomb … Wang builds infectious momentum in ‘I can’t sit down’ (from Porgy) and seems well suited to rendering the Piano Sonata’s concluding ‘Toccata (á la Ricky Martin)’ effectively.”

David Breckbill – BBC Music Magazine – May 2011

                          International Piano Choice

“… a remarkable disc.”

Colin Clarke

International Piano Magazine - January/February 2011

“The perfect tribute to an American pianist who found the right balance between showbiz and poetry.”

 William Dart

New Zealand Herald - 4 December 2010

“…Xiayin Wang plays quite superbly and with total sympathy; she is very persuasive and, moreover, is excellently recorded, with presence and fullness: a really top-notch piano sound.”

Colin Anderson

International Record Review - December 2010

D Rogers