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CHAN 10659
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CHAN 10659

Verdi: Choral Works

The Classical Shop
release date: March 2011

Originally recorded in 2010


Orchestra of Teatro Regio, Turin

Gianandrea Noseda

Barbara Frittoli


Francesco Meli


Chorus of Teatro Regio, Turin


Main stage, Teatro Regio, Turin


Rachel Smith

Ralph Couzens



Matteo Costa

Record Label



Orchestral & Concertos

Total Time - 70:27
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Inno delle nazioni

  (Hymn of the Nations)  
  Composed for the International Exhibition in London, 1862 for tenor solo, four-part mixed chorus, and orchestra  
  Allegro sostenuto -  
 Francesco Meli tenor

Libera me, Domine

  from collaborative Messa per Rossini for soprano solo, four-part mixed chorus, and orchestra  
  'Libera me, Domine'. Moderato -  
 Barbara Frittoli soprano

Quattro pezzi sacri

  (Four Sacred Pieces)  
3 1 Ave Maria ('Scala enigmatica' harmonised for four-part mixed chorus a cappella) 5:40
4 2 Stabat Mater (for four-part mixed chorus and orchestra) 13:24
5 3 Laudi alla Vergine Maria (Dante: 'Paradiso', XXXIII) (for four-part women's chorus a cappella) 6:08
6 4 Te Deum (for double chorus and orchestra) 16:01
 Barbara Frittoli soprano

La vergine degli angeli

  Concluding chorus, with Leonora, from La forza del destino, Act II  
 Barbara Frittoli soprano

This is a recording of rarely heard choral works by Verdi, performed by all-Italian forces – the Orchestra and Chorus of Teatre Regio in Turin, with the soloists Barbara Frittoli and Francesco Meli, under the conductor Gianandrea Noseda, an exclusive Chandos artist – for totally idiomatic results.

The opera La forza del destino was first performed in the Bolshoi Kamenny Theatre of St Petersburg in 1862. Featured on this recording is ‘La vergine degli angeli’, the chorus that ends Act III. Here Leonora (whom everyone supposes to be a man) is sent by the Monastery of Hornachuelos to live in a hermit’s cave for the rest of her life. The monks invoke the Virgin to protect the new hermit and send Leonora off with one of Verdi’s most beautiful choruses (which also features an exquisite solo for Leonora).
Soon after completing La forza del destino, Verdi was asked to prepare an Italian entry for the London International Exhibition. He agreed, and the result was the Inno delle nazioni, to words by Arrigo Boito. The piece ultimately did not figure in the official celebrations, but was performed to great acclaim in London in 1862. The work includes an orchestral introduction and a chorus, an impassioned recitation by the soloist, and a beautiful melody for soloist, then chorus. Verdi cites the national anthems of England, France, and Italy, before combining them in a contrapuntal tour de force.

With the death in 1868 of Gioachino Rossini, Verdi took it upon himself to commission all the most important composers of Italy to prepare a composite Mass in his memory. The mass was to be performed on the first anniversary of Rossini’s death, but when the city of Bologna proved unable to arrange the performance in time, the project was abandoned. Verdi, however, persevered and did complete the intended final movement, ‘Libera me, Domine’, recorded here. He would rework the movement for his later Messa da Requiem.
Completing the disc are the Quattro pezzi sacri (Four Sacred Pieces): Ave Maria, Laudi alla Vergine Maria, Stabat Mater, and Te Deum. The two choruses with full orchestra, the Stabat Mater and Te Deum, Verdi’s last compositions, are based on well-known poems. The first, celebrating Mary as she stands by the Cross, was set by many composers. For the Te Deum, written for double chorus, Verdi turned to a text often, though not here, used to celebrate victories and coronations. It quickly became common practice to perform the four pieces together, with a chorus singing the unaccompanied, but moving, Ave Maria and Laudi alla Vergine Maria, originally composed for solo voices.

“...The Turin forces, especially the chorus, perform these Four Sacred Pieces with utter conviction. Excellent as these forces were in other selections, they are even more impressive here... the Regio chorus is impressive-juicy, full-bodied singing... the Italianate fervor and overall involvement are attention-getting. Nothing is sluggish or sloppy...”

Mark – American Record Guide – July/August 2011

"...This is a compelling disc and reminds us again that every Noseda disc is worthy of investigation."
Michael Cookson - - July 2011

              Performance ****      Recording ****

George Hall – BBC Music Magazine – June 2011

"Gianandrea Noseda leads his italian forces in a rich, red-blooded rendition of Verdi’s  late ...masterpiece and other choral works.
Francesco Meli and Barbara Frittoli, with her wide and warm vibrato, give perormances of great energy and directness..."

Paul Gent - The Telegraph - 9 April 2011

“Novelties and sketches they may be but Verdi’s craftsmanship shines through ... The Turin chorus gives an idiomatic and highly satisfying performance of the taxing Four Sacred Pieces... Their orchestral colleagues provide opulent and exhilarating support throughout this varied and well-balanced programme.”

Malcolm Riley – Gramophone May 2011

Warwick Thompson – Classic FM Magazine – May 2011

P Snowdon