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CHAN 10706
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CHAN 10706

Rachmaninoff: Spring/Three Russian Songs/The Bells

The Classical Shop
release date: November 2011

Originally recorded in 2011


BBC Philharmonic

Gianandrea Noseda

Alexei Tanovitski


Svetla Vassileva


Misha Didyk


Chorus of the Mariinsky Theatre


The Royal Albert Hall, London


Brian Pidgeon

Mike George

Ralph Couzens



Stephen Rinker

Steve Oak


Record Label



Orchestral & Concertos

Total Time - 62:07
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Spring, Op. 20

  Cantata for Baritone Solo, Choir and Orchestra  
  Allegro moderato. Meno mosso - Più vivo (Tempo I) - Meno mosso - Moderato - Allegro risoluto -  

Three Russian Songs, Op. 41

  for Symphony Orchestra and Chorus  
2 1 Moderato (Alla breve). Allegro assai - Più vivo - Moderato - Tempo I (poco meno mosso) - Più mosso 3:03
3 2 Largo 4:37
4 3 Allegro moderato (Alla marcia, al rigore di tempo) - Meno mosso 3:41

The Bells, Op. 35

  for Chorus, Orchestra and Soloists  
  Russian Poem by K. Balmont adapted from The Bells by E.A. Poe  
5 1 Allegro, ma non tanto. Meno mosso - Largo un poco - Tempo I - Meno mosso. Maestoso 6:19
6 2 Lento. Poco più mosso - Tempo I - Poco più mosso - Tempo I - Poco più mosso - Più mosso - 10:23
7 3 Presto. Meno mosso - Tempo I - Meno mosso - Poco meno - Poco meno - Meno mosso - 9:09
8 4 Lento lugubre. Poco più mosso - Poco più mosso - Poco più mosso - Allegro - Andante - Tempo I 10:19

This is the seventh and final volume in our acclaimed Rachmaninoff series, which has been performed by the BBC Philharmonic under Gianandrea Noseda. They are joined in this recording by the Chorus of the Mariinsky Theatre and the soloists Svetla Vassileva, Misha Didyk, and Alexei Tanovitski. The album was recorded live at this year’s Proms at the Royal Albert Hall, London.
Rachmaninoff composed his ‘choral symphony’ The Bells in 1913. It takes its inspiration from poems by Edgar Allan Poe in a Russian translation by the poet Konstantin Balmont. The first movement, evoking the chimes of silver bells on a winter sleigh ride, is unusually cheerful for both the composer and author, while ‘Wedding Bells’ blends the
yearning of Wagner’s Tristan und Isolde with a darker and more ominous undercurrent that carries through to the end. Of this Proms performance, The Guardian wrote: ‘The soloists soared, the choir bloomed, and Noseda powered the orchestra through thrilling climaxes to the funereal closing bars.’
In the brooding cantata Spring of 1902, the restlessness and lively use of percussion reflect the composer’s mindset at the time: He was hungry to write music once again after suffering from a three-year bout of writer’s block and depression. The work is based on a poem by Nikolay Nekrasov and describes the return of the Zelyoniy shum, or
‘green rustle’. The poem tells of a husband who, fraught with murderous thoughts towards his unfaithful wife during the winter season, is freed from his frustrations by the return of spring.
The Three Russian Songs are poignant, gem-like time capsules of a Russia now irretrievably lost. They were written in 1926 when Rachmaninoff was living and exhaustively touring as a pianist in America. Vladimir Wilshaw, Rachmaninoff’s old friend from student days, said of this work: ‘Only a man who loves his country could compose this way. Only a man who in his innermost soul is a Russian. Only Rachmaninoff could have composed this!’

                          ***** - Exceptional

Piero Rattalino - Music magazine - June 2012

“...these performances are first rate ... the program is sensibly chosen ... The recorded sound is very good...”

Hansen – American Record Guide – March/April 2012

“...all the performances have the benefit of the Russian soloists and the wonderful chorus of the Mariinsky Opera.” *****

Andrew Clements – The Guardian – 20 January 2012

"...Strong and powerful performances..." ****

Malcolm Hayes - Classic FM magazine - February 2012

“...Russian soloists and the Mariinsky Chorus give authenticity to a Rachmaninov programme of which The Bells, the cantata, is sung is the Russian original no the simplified English version. Rarities make up the programme, Spring and Three Russian Songs, all sound suitably echt.”

Peter Spaull – Liverpool Daily Post – 9 December 2011

N Southern

B Sweeney