Background Image Background Image Background Image
background image

CHAN 10757
StarStarStarStarStar Rating
Log in to be the first to review this disc
Background Image Background Image Background Image
background image
Chandos Logo
CHAN 10757

Brahms: Works for Solo Piano, Volume 2

The Classical Shop
release date: March 2013

Recorded in 24 Bit / 96Khz
album available as a Studio Master
Originally recorded in 2012


Barry Douglas



West Road Concert Hall, Cambridge


Ralph Couzens


Ralph Couzens

Record Label



Total Time - 67:40
Background Image Background Image Background Image
background image
Customers who bought this album, also bought...
Brahms: Works for Solo Piano, Volume 3
Brahms: Works for Solo Piano, Volume 1
Brahms: Works for Solo Piano, Volume 5
Handel: Serse
Albinoni: Concerti a cinque, Opp. 7 and 9
Shostakovich: Cheryomushki
Goossens: Orchestral Works
Mendelssohn: Paulus
Brahms: Works for Solo Piano, Volume 4
Beethoven: Piano Sonatas, Volume 2

Scroll Scroll

background image
onquestion marklosslessquestion markStudio Fileoffquestion mark 
*if you purchase a higher level format, we include the lower formats free of charge
Please Note: On Mp3 format an unavoidable click may be heard on segue track breaks, to avoid this issue please select lossless or better
Select Complete Single Disc for



Ballade, Op. 10 No. 2

  in D major - in D-Dur - en ré majeur  
  from [Four] Ballades  
  Julius O. Grimm gewidmet  
  Andante - Allegro non troppo (doppio movimento) - Tempo I. Andante  

Ballade, Op. 118 No. 3

  in G minor - in g-Moll - en sol mineur  
  from [Six] Piano Pieces  
  Allegro energico  

Intermezzo, Op. 117 No. 2

  in B flat minor - in b-Moll - en si bémol mineur  
  from Three Intermezzos  
  Andante non troppo e con molta espressione - Più adagio  

Rhapsody, Op. 119 No. 4

  in E flat major - in Es-Dur - en mi bémol majeur  
  from [Four] Piano Pieces  
  Allegro risoluto  

Intermezzo, Op. 116 No. 2

  in A minor - in a-Moll - en la mineur  
  from [Seven] Fantasies  
  Andante - Non troppo presto - Andante  

Intermezzo, Op. 116 No. 6

  in E major - in E-Dur - en mi majeur  
  from [Seven] Fantasies  
  Andantino teneramente  

Ballade, Op. 10 No. 3 'Intermezzo'

  in B minor - in h-Moll - en si mineur  
  from [Four] Ballades  
  Julius O. Grimm gewidmet  

Sonata No. 3, Op. 5

  in F minor - in f-Moll - en fa mineur  
  Frau Gräfin Ida von Hohenthal geb, Gräfin von Scherr - Thoss zugeeignet  
8 Allegro maestoso - Più animato 10:37
9 Andante 9:54
  Der Abend dämmert, das Mondlicht scheint.  
  Da sind zwei Herzen in Liebe vereint  
  Und halten sich selig umfangen.  
  Andante espressivo - Poco più lento - Andante molto - Adagio  
10 Scherzo. Allegro energico - Trio - [Allegro energico] 4:49
11 Intermezzo (Rückblick). Andante molto 4:20
12 Finale. Allegro moderato ma rubato - Più mosso - Presto - Tempo I 7:45

This is Volume 2 in our series devoted to the works for solo piano by Johannes Brahms, with the acclaimed pianist Barry Douglas. Since winning the Gold Medal at the 1986 Tchaikovsky International Piano Competition in Moscow, Douglas has established a major international career, and his reputation as a pianist and conductor continues to grow.  
Brahms wrote his set of four Ballades, Op. 10 (of which Nos 2 and 3 are included on this album) at the age of twenty-one, and at a time of much personal upheaval. His friend and patron Schumann had attempted suicide and been confined to a sanatorium near Bonn, and Brahms had been thrust into the role of protector and comforter of Schumann’s wife, Clara, while coming to terms with his own strong feelings for her. Reflective of the difficult situation, these Ballades display a deep-felt blend of the dramatic and the lyrical. 
A few months before he composed the Ballades, during his stay with the Schumanns in October 1853, Brahms completed a new piano sonata with which he had been struggling throughout the spring and summer of that year. Published as his Sonata No. 3, it would remain his single largest keyboard composition. It unites aspects of his two previous sonatas – the classical features of No. 1 with the romantic, fantasia-like character of No. 2 – and surpasses both of them in virtuosity and structural command. 
Brahms’s collections of short piano pieces, issued as Op. 116 – 19, were among his final compositions for piano, and albeit a few of them provide brief glimpses of the old energy and fire, most are reflective, and deeply introspective in character. This was music that Brahms wrote to play for himself, or at the most to a few close friends. In fact, Clara Schumann was the first to see these in their manuscript form. 

"... this is a rewarding program and I can recommend this disc especially for the Schumann sonata."

Alan Swanson - Fanfare - September/October 2013

“…The sound is wonderfully warm and seductive, with some space between listener and pianist… Sonata 3 has had many fine performances, and this is certainly one of the best …”

Alan Becker – American Record Guide – September/October 2013

                        **** - (Excellent Disc)

Luca Segalla - Musica magazine - September 2013

                    Album Choice

"...the overall shapes of the pieces are clear but the shifting moods within them too. The Steinway piano sound has a corresponding lean honesty ..."

Christopher Breunig - Hi-Fi News - April 2013

“...this is indeed Brahms playing of the utmost integrity and authority ... these are exquisitely shaped performances, never overwrought and most importantly never too fast. He manages to combine a musical line with tempos which allow Brahm’s often densely textured passagework to be clearly audible and with the often orchestral sonorities to be rendered without forcing the tone... The more I listened to this release the more I have appreciated Douglas’s approach: it concentrates one’s energies all the more to hear each work independently ... this cycle looks set to become a benchmark version ... with fabulous sound quality to match.”
Nicholas Salwey – International Record Review – March 2013

 “...Douglas superbly draws out the contrasts within each piece, bringing out their individual character... Douglas’s pianism is a rewarding as before: his tone is a deep velvet cushion, the legatos full of affection and the rhythms galvanised with great energy.”

Jessica Duchen – BBC Music magazine – May 2013

No User Reviews Found.