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CHAN 10762
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CHAN 10762

Schumann/Brahms: Violin Sonatas

Released Date:
01 Apr 2013

Recorded in 24 Bit / 96Khz

Originally recorded in 2012

Artists:

Tom Poster

piano

Jennifer Pike

violin

Venue:

Potton Hall, Dunwich, Suffolk



Producer:

Rachel Smith



Engineer:

Jonathan Cooper



Record Label
Chandos

Genre:

Violin


Piano

Total Time - 54:20
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JOHANNES BRAHMS

(1833-1897)
 

Sonata No. 1, Op. 78

26:14  
  in G major - in G-Dur - en sol majeur  
  for Piano and Violin  
1 Vivace ma non troppo - Più sostenuto - Tempo I 10:24
2 Adagio - Più andante - Adagio come prima 7:33
3 Allegro molto moderato - Più moderato 8:16
   
 

ROBERT SCHUMANN

(1810-1856)
 

Sonata No. 1, Op. 105

16:57  
  in A minor - in a-Moll - en la mineur  
  for Piano and Violin  
4 Mit leidenschaftlichem Ausdruck 7:34
5 Allegretto 4:13
6 Lebhaft 5:09
   
 

CLARA SCHUMANN

(1819-1896)
 

Three Romances, Op. 22

11:11  
  for Violin and Piano  
  Joseph Joachim freundschaftlichst gewidmet  
7 I Andante molto 3:19
  in D flat major - in Des-Dur - en ré bémol majeur  
8 II Allegretto 3:03
  in G minor - in g-Moll - en sol mineur  
9 III Leidenschaftlich schnell 4:49
  in B flat major - in B-Dur - en si bémol majeur  


CHAN 10762 -- SCHUMANN / BRAHMS: VIOLIN SONATAS

JENNIFER PIKE / TOM POSTER

Jennifer Pike was the youngest-ever winner of the BBC Young Musician of the Year in 2002. She has given performances throughout the UK and around the world and, now aged twenty-three, is widely regarded as one of the finest violinists in Britain. The pianist Tom Poster who performs alongside her is well known for his artistry and versatility, equally in demand as a soloist and as a chamber musician. This recital features violin sonatas by Brahms and Robert Schumann as well as Three Romances by Clara Schumann. Robert Schumann’s Violin Sonata No. 1 is very much a ‘Duo’, the two instrumentalists performing in equal partnership. It was written in 1851 at quite a stressful time in Schumann’s life. There is certainly an air of robustness, even roughness, in the baroque-style finale. By contrast, in Brahms’s Violin Sonata No. 1, the violin is always the principal voice, the piano never a competitor but rather a subtle accompanist. Brahms wrote the work in memory of his godson Felix Schumann who had died of tuberculosis at the tragically young age of twenty-four. Clara Schumann’s Three Romances was her only work for violin and piano, but whilst the violin is allowed to sing throughout, the complexity of the piano part testifies to its having been composed by a pianist of the first rank.

 

“...Pike and her accompanist Tom Poster demonstrate an unusual flair for emotional narrative... A fine release. “  ****”

Julian Haylock – sinfinimusic.com – 23 April 2013


                          Performance (Brahms) ****      (R & C Schumann) *****           Recording ***** 

 
“...this is a refreshingly projected performance which boasts an almost ideal fluidity in terms of manipulation of tempo and nuance in the first movement [Brahms]... warm-hearted performances of the Clara Schumann Romances ... the distinction of the performances is never in doubt.”
 
Erik Levi – BBC Music magazine – May 2013  



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