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CHAN 10763
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CHAN 10763

Haydn: Piano Sonatas, Volume 5

Released Date:
01 Apr 2013

Recorded in 24 Bit / 96Khz

Originally recorded in 2012

Artists:

Jean-Efflam Bavouzet

piano

Venue:

Potton Hall, Dunwich, Suffolk



Producer:

Rachel Smith



Engineer:

Jonathan Cooper


Paul Quilter

(Assistant: September 2012)

Record Label
Chandos

Genre:

Piano




Total Time - 74:39
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FRANZ JOSEPH HAYDN

(1732-1809)
   
 

Piano Sonata No. 15 (Hob. XVI: 13)

10:40  
  in E major - in E-Dur - en mi majeur  
1 I Moderato 4:11
2 II Menuet - Trio - Menuet da Capo 3:41
3 III Finale. Presto 2:49
   
 

Piano Sonata No. 12 (Hob. XVI: 12)

10:48  
  in A major - in A-Dur - en la majeur  
4 I Andante 5:13
5 II Menuet - Trio - Menuet da Capo 3:39
6 III Finale (Allegro molto) 1:55
   
 

Piano Sonata No. 37 (Hob. XVI: 22)

13:12  
  in E major - in E-Dur - en mi majeur  
7 I Allegro moderato 6:38
8 II Andante 6:32
9 III Finale. Tempo di Menuet 4:03
   
 

Piano Sonata No. 54 (Hob. XVI: 40)

10:23  
  in G major - in G-Dur - en sol majeur  
  Prinzessin Marie Esterházy gewidmet  
10 I Allegretto innocente 7:14
11 II Presto 3:07
   
 

Piano Sonata No. 55 (Hob. XVI: 41)

10:44  
  in B flat major - in B-Dur - en si bémol majeur  
  Prinzessin Marie Esterházy gewidmet  
12 I Allegro 7:58
13 II Allegro di molto 2:44
   
 

Piano Sonata No. 56 (Hob. XVI: 42)

12:32  
  in D major - in D-Dur - en ré majeur  
  Prinzessin Marie Esterházy gewidmet  
14 I Andante con espressione 8:57
15 II Vivace assai 3:33
  Cadenza by Jean-Efflam Bavouzet  
16 

Epilogue…

2:25
  See performer's note  

Chandos CHAN 10763

Haydn: Piano Sonatas, Vol. 5 – Jean-Efflam Bavouzet

We have now reached Volume 5 in Jean-Efflam Bavouzet’s project to record the complete piano sonatas of Haydn. Many leading pianists have tackled these, at times technically challenging classical sonatas, but in Bavouzet’s own words, this is a composer who always left the door open for new interpretations: ‘One often forgets how little information Haydn left in the text of his keyboard works: few instructions on nuance and phrasing, and very minimal tempo indications. Playing them is all the more fascinating for that, but it is also arduous and even risky for the performer, who must, even more than usual, create his or her own world and internal logic, only hoping – in the absence of tangible proof – that he or she is not straying too far from the composer’s intentions, forever out of reach.’

This series has been going from strength to strength, every volume receiving consistently excellent reviews.



“...These are landmark recordings, thanks to the French pianist’s stylistic command and sheer delight in the music... Bavouzet reveals the music’s expressive charm and craftsman-like ingenuity.” ****

Andrew Clark – Financial Times – 6 April 2013




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