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CHAN 10783
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CHAN 10783
Choral Works

Finzi: Requiem de Camera · Britten/Holst: Choral Works

The Classical Shop
release date: July 2013

Originally recorded in 1991

Artists:

City of London Sinfonia


Richard Hickox


Stephen Varcoe

baritone

John Mark Ainsley

tenor

Britten Singers



Venue:

St Jude's Church, Central Square, London NW11



Producer:

Tim Oldham



Engineer:

Richard Lee


Peter Sheldon

(Assistant)

Record Label
Chandos Classics

Genre:

Choir


Chamber

Total Time - 66:56
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Choral Works

   
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GERALD FINZI

(1901-1956)
premiere recording
 

Requiem de Camera (1923-25)

23:42  
  for Baritone, Chorus and Chamber Orchestra  
  Alison Barlow soprano  
  David Hoult baritone  
1 I Prelude. Slow - Appassionata 5:55
2 II 'How still this quiet cornfield is tonight!' 9:22
  Quasi senza misura  
3 III 'Only a man harrowing clods'. 3:58
  Con dignita  
 Stephen Varcoe baritone
4 IV 'We who are left, how shall we look again'. 4:25
  Crotchet = about 66  
 

BENJAMIN BRITTEN

(1913-1976)
5 

Deus in adjutorium meum (1945)

5:17
  for Unaccompanied Choir  
  from the incidental music to the play This Way to the Tomb (1945) by Ronald Duncan (1914-1982)  
6 

Chorale on an Old French Carol (1944)

5:00
  for Unaccompanied Choir  
  Grave  
 

Cantata misericordium, Op. 69 (1963)

19:38  
  for Tenor, Baritone, Chorus, String Quartet, and Small Orchestra  
  Nicolas Ward violin  
  Edward Roberts violin  
  Stephen Tees viola  
  Susan Dorey cello  
7 Chorus: 'Beati misericordes' - 3:57
8 Chorus: 'Iesu parabola iam nobis fiat fabula' - 4:14
9 Chorus: 'Bono nunc animo es, viator' - 2:01
10 Chorus: 'En alter in conspectum venit' - 1:48
11 Chorus: 'Ecce, tertius apparet' 7:36
 John Mark Ainsley tenor
 Stephen Varcoe baritone
 

GUSTAV HOLST

(1874-1934)
 

Two Psalms, H 117 (1912)

13:29  
  for Chorus, String Orchestra, and Organ  
  Alison Barlow soprano  
  John Alley organ  
12 Psalm 86. Andante mesto 8:23
13 Psalm 148. Allegro moderato 5:00
 Stephen Varcoe baritone


Gerald Finzi dedicated his Requiem da camera (1924) to the memory of his teacher, Ernest Farrar, who was killed on active service in September 1918. Finzi was devastated by the loss, and here in the second and fourth movements, in particular, he offers his own sedate impression of the war, in which ploughboys-turned-soldiers glimpse their last of England before the music, landscape, and innocence are lost in the gathering darkness. Finzi later rewrote the third movement, but the instrumentation of the new version was left incomplete. With the blessing of the Finzi family, the orchestration was completed by Philip Thomas on the basis of extensive surviving sketches, and the complete work was first performed in 1990.
 
Also on this album are three works by Benjamin Britten. In Deus in adjutorium meum, the composer sets Psalm 70 in Latin for unaccompanied mixed voices. The work was written for the 1945 production of Ronald Duncan’s play This Way to the Tomb. During the 1980s, many short pieces which Britten had originally written as part of his extensive music for radio and theatre, and which were subsequently forgotten, reclaimed their place in the limelight. The Chorale after an Old French Carol is one such work, the words deriving from A Christmas Oratorio which W.H. Auden had written for Britten to set. Cantata misericordium marked Britten’s fiftieth year, Britten premiering it in 1963.
 
Gustav Holst wrote Psalm 86 and Psalm 148 in 1912 before he achieved his breakthrough as a composer. As Director of Music at the St Paul’s Girls School, Holst wrote this work for the inauguration of the school’s new organ in 1910, using a favourite hymn tune from Cölner Gesangbuch of 1623, set to a Biblical paraphrase of Psalm 148.
 
Hi-Fi News wrote of this disc when first released: ‘The choice of a small choir gives these pieces a sense of intimacy and yet one of intensity; there’s a feeling that Richard Hickox had inspired everyone to enthusiasm for his mixed programme.’ 

 "... Hickox’s recordings of English Music for Chandos are still pearls of great price; and this release , so animated by feelings  of sadness and compassion, is a fiting tribut to a talented conductor taken from us too soon"

Phillip Greenfield - American Record Guide - January/February 2014


"Chandos continue their praiseworthy series of mid-price Hickox reissues with one of the best discs he ever made for them. It is particularly valuable for the première recording of Gerald Finzi’s Requiem da camera - and there have been no recordings since - but that is not its only claim on the attention... These two Holst settings would alone be worth the price of this record; the other works make it irresistible... If any lover of the music of English twentieth century composers does not have this disc in their collection, they should take steps to rectify the omission immediately."
 
Paul Corfield Godfrey - MusicWeb-International.com - 16 August 2013



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