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CHAN 10785
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CHAN 10785

John Tomlinson - Michelangelo in Song

The Classical Shop
release date: September 2013

Recorded in 24 Bit / 96Khz
album available as a Studio Master
Originally recorded in 2012


John Tomlinson


David Owen Norris



Potton Hall, Dunwich, Suffolk


Jonathan Cooper


Jonathan Cooper

Paul Quilter


Record Label


Vocal & Song


Total Time - 62:29
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Seven Sonnets of Michelangelo, Op. 22 (1940)

  for Tenor and Piano  
  Transcribed for Bass and Piano by David Owen Norris  
  To Peter  
1 1 Sonneto XVI. 'Si come nella penna e nell'ichiostro'. 1:52
  Tempo giusto  
2 2 Sonetto XXXI. 'A che più debb'io mai l'intensa voglia'. 1:28
  Con moto appassionato  
3 3 Sonetto XXX. 'Veggio co' bei vostri occhi un dolce lume'. 3:36
  Andante tranquillo  
4 4 Sonetto LV. 'Tu sa' ch'io so, signor mie, che tu sai'. 1:33
  Poco presto ed agitato - Più lento e tranquillo - Tempo I  
5 5 Sonetto XXXVIII. 'Rendete agli occhi miei, o fonte o fiume'. 2:00
  Allegretto quasi una serenata  
6 6 Sonetto XXXIL. 'S'un casto amor, s'una pietà superna;. 1:45
7 7 Sonetto XXIV. 'Spirto ben nato, in cui si specchia e vede'. 4:11



Drei Gedichte von Michelangelo (1897)

  for Bass and Piano  
  in German translations by Walter Heinrich Robert-Tornow (1852-1895)  
8 1 'Wohl denk' ich oft'. 1:44
  Ziemoich getragen, schwermütig - Etwas belebter - Gemessin  
9 2 'Alles endet, was entstehet'. 3:52
  Langsam und getragen - Etwas bewegter - Erstes Zeitmaß  
10 3 'Fuhlt meine Seele'. 3:52
  Sehr langsam und ruhig - Etwas bewegter - Immer etwas drängender -  



Suite, Op. 145 (1974)

  on Verses of Michelangelo Buonarroti (1475-1564)  
  for Bass and Piano  
  in Russian translations by Abrams Efros (1888-1954)  
  To Irina Antonovna Shostakovich  
11 1 Truth. Adagio 3:47
12 2 Morning. Allegretto - Maestoso 2:42
13 3 Love. Allegretto 3:46
14 4 Separation. Moderato 2:06
15 5 Anger. Allegro non troppo 1:42
16 6 Dante. Moderato - 3:16
17 7 To the Exile. Largo - Maestoso 4:15
18 8 Creativity. Moderato 2:22
19 9 Night (a dialogue). Andante 3:54
20 10 Death. Adagio 5:06
21 11 Immortality. Allegretto 3:40

When the name of Michelangelo comes up in conversation it is usually in connection with such undisputed masterpieces as the statue of David in front of the Palazzo Vecchio in Florence (the original now in the Accedemia gallery), or the legendary ceiling dome of the Sistine Chapel at the St Peter’s Basilica in Rome. What fewer people might know is that Michelangelo also wrote a great number of poems, including madrigals and sonnets, some of which were set to music by such illustrious composers as Benjamin Britten, Hugo Wolf, and Dmitri Shostakovich.
The internationally acclaimed bass Sir John Tomlinson and pianist David Owen Norris have performed these songs at their Michelangelo evenings on many occasions. At these events the sixteenth-century Michelangelo is portrayed by Tomlinson in updated form, as a nineteenth-century painter in his workshop, looking over his old papers and poems, and reliving each one in turn. The singer explains that the idea was inspired in part by his many years of playing historical characters on the opera stage, and partly by his seeing, at a London exhibition in 2010, the actual pieces of paper upon which the sculptor himself had written out some of his poems – an encounter he describes as ‘Extraordinary!’
Shostakovich felt strongly that Michelangelo’s poetry transcended its Italian roots to have a universal appeal, and that it embraced ‘profound philosophical ideas, humanism, and penetrating reflections of love and art’. For the Suite on Verses of Michelangelo Buonarroti, the composer selected eight of Michelangelo’s sonnets and three other poems, all in Russian translations, covering the principal subject areas of wisdom, love, creativity, death, and immortality.
The Seven Sonnets of Michelangelo was the first song-cycle that Britten composed specifically with the voice of his partner, Peter Pears, in mind. At the time, Britten was consciously broadening his musical horizons in an attempt to free himself from his English roots. He did this in part by setting foreign-language text to music. The resulting love songs recorded here are passionate, ecstatic, almost evangelical in tone.
DreiGedichte von Michelangelo, based on poems about the joy and pain of love and youth, and the brevity of life, were among the last compositions written by Hugo Wolf, before his descent into mental illness. He had originally envisioned that these settings would become the beginning of a large-scale portrait of the poet, but sadly this project never materialised.

 “…This [Shostakovich Suite] is far and away the best performance on the disc, and alone is worth the price of entry. It is powerful reading, well worth getting to know. One must also say good words about David Owen Norris’s accompaniments, as well as his fine adaptation of Britten’s piano parts…”

Alan Swanson – Fanfare – March/April 2014

"Michelangelo Buonarroti’s 300 or so poems have been eclipsed by his contribution to the visual arts, but composers from the 19th century on have been aware of his emotional and powerful sonnets. Eminent bass Sir John Tomlinson shows his Wagnerian pedigree in this album, which weaves together three composer’s interpretations as a seamless whole..."

Steve Moffatt - Limelight - 9 January 2014

                     Performance  (Shostakovich) ****     (The Rest) **       Recording ****

David Nice - BBC Music magazine - December 2013

 " ... A fuent linguist, Tomlinson seems entirely at home in all three languages here, and complete inside Michelangelo’s complex thought processes, too... This, then is a stimulating not to say challenging musical encounter. Capturing Sir John’s booming, sometimes cavernous voice cannot have been easy ... but the Chandos engineers have done a fine job..."

Piers Burton-Page - International Record Review - October 2013

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