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CHAN 5079
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CHAN 5079

Mahler: Symphony No. 7

The Classical Shop
release date: July 2010

Originally recorded in 2009


Residentie Orchestra The Hague

Neeme Jarvi


Dr Anton Philipszaal, The Hague, The Netherlands


Jean-Pierre Gabriël


Wim van den Berg

Per van der Zande


Fanny Vermeer


Record Label


Orchestral & Concertos

Total Time - 69:46
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Symphony No. 7

1 1 Langsam (Adagio) - Allegro risoluto, ma non troppo - Meno moso - Subito Allegro I - 20:40
2 2 Nachtmusik. Allegro moderato - Tempo I subito, molto moderato (Andante) - 12:53
3 3 Scherzo. Schattenhaft - Etwas flotter - Trio - Wieder zie zu Anfang - 9:10
4 4 Nachtmusik. Andante amoroso 9:54
5 5 Rondo- Finale. Tempo I (Allegro ordinario) - Maestoso - 17:09
  Also available as SACD CHSA 5079

Neeme Järvi has been recording for Chandos for several decades now, especially with the Royal Scottish National Orchestra, with which he has made more than 100 CDs. Many of these recordings have received tremendous critical acclaim and include several Gramophone Award Winners.

This is his second Chandos recording with the Residentie Orchestra The Hague, of which he is chief conductor. The first, of Bruckner’s Fifth Symphony (CHSA 5080) was released in April to excellent acclaim. Gramophone wrote: ‘Järvi is too good a musician not to take his players with him. Indeed the Dutch musicians display a certain daredevil nonchalance as they breeze their way through the epic 635-bar finale.’

Mahler’s Seventh Symphony is perhaps the least well known of all Mahler’s symphonies. Its five movements were written over a period of two years, 1904 – 05, and scored and revised in 1906. The symphony has no programme, but the two serenade movements were influenced by the German romanticism of the poetry of Eichendorff, and elements of the fairytale, the macabre, and the sentimental permeate these movements.

Even though the symphony is imbued with a richness of melody, and bold and original harmonies, it is perhaps the most enigmatic of all Mahler’s symphonies. It begins with a striking funeral march, which develops into a powerful allegro, though the music is at the same time full of ‘dream-like’ elements. These dream-like fantasy elements pervade the serenade movements, which are separated by an exciting central scherzo, and the symphony ends with a vigorously contrapuntal finale. Perhaps the symphony can be seen as a journey from darkness to light, from the B minor gloom of the beginning, to the blaze of C major at the end. The journey is fascinating and very rewarding.

                        ’Winner of 2011    Toblach Prize

"...the Residentie orchestra of The Hague playing at the highest level, and with nothing short of youthful nonchalance, the seventy-four-year-old Estonian maestro Neeme Järvi has taken the bull by the horns and, employing breathless tempos, swept away all the ghostliness of the night and all the romantic pensiveness ..."

B Holten

A Ohlen