Music ****(Very Good) Sound ****(Very Good)
Thomas Schulz – Fono Forum magazine – May 2013
"... if you are looking for an up-to-date Sleeping Beauty, Järvi’s will amply reward you..."
Peter J Rabinowitz - International Record Review - February 2013
“...making a list of the high spots is impossible; there are too many... James Ehnes and Robert deMaine have been parachuted in to play the big violin and cello solos, It’s all stunning – possibly one of the greatest ballet recordings ever made ... Unmissable.”
Graham Rickson – the artsdesk.com – 12 January 2013
Album of the Week
“... A Christmas treat.”
Hugh Canning – The Sunday Times – 23 December 2012
Performance **** Recording *****
“The Bergen Philharmonic proves an ideal instrument for one of Tchaikovsky’s most magical scores. Neeme Järvi’s every demand is met with immaculate playing, recorded in a warm but not too resonant acoustic, and you are soon swept up by their characterful account of the prologue and Act I ... the wonderfully detailed playing of the waltz, that follows demonstrate the strengths of this performance ...”
Daniel Jaffé - BBC Music magazine – February 2013
“...The playing is ravishing ... a couple of guest instrumentalists, James Ehnes and Robert deMaine, add real lustre to the concertante violin and cello solos respectively.” ***
Tim Ashley – The Guardian – 11 January 2013
"...The complete score for Tchaikovsky’s the Sleeping Beauty comes from the Bergen Philharmonic Orchestra under Neeme Jarvi ... Notably on this recording, the violin solos are played by the superb James Ehnes, a bonus indeed! The sound is spectacular..."
Peter Spaull - Liverpool Daily Post - 20 December 2012
"...This is a great work in a very fine performance beautifully recorded."
Dave Billinge - MusicWeb-International.com - 11 January 2013
“This is a good, practical interpretation of The Sleeping Beauty. The playing by the Bergen Philharmonic is strong and spirited; Järvi’s conducting is rational, adopting as it does the natural pacings and colouristic inflections from which it is possible to appreciate the character of the dances in one’s mind’s eye, all the more so with the excellent synopsis included in the booklet ...”
Geoffrey Norris – Gramophone magazine – January 2013