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CHAN 5134
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CHAN 5134

Sibelius: Violin Concerto etc.

The Classical Shop
release date: March 2014

Recorded in 24 Bit / 96Khz
album available as a Studio Master
Originally recorded in 2013

Artists:

Bergen Philharmonic Orchestra


Sir Andrew Davis


Jennifer Pike

violin

Venue:

Grieghallen, Bergen, Norway



Producer:

Brian Pidgeon



Engineer:

Ralph Couzens


Gunnar Herleif Nilsen

(Assistant)

Record Label
Chandos

Genre:

Orchestral & Concertos


Violin

Total Time - 77:19
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JEAN SIBELIUS

(1865-1957)
   
 

Concerto for Violin and Orchestra, Op. 47

31:55  
  in D minor - in d-Moll - en ré mineur  
1 I Allegro moderato - [Cadenza] - Tempo I - 15:46
  Molto moderato e tranquillo - Largamente - Allegro molto -  
2 II Adagio di molto 8:16
3 III Allegro, ma non tanto 7:44
 Jennifer Pike violin
 

Karelia Suite, Op. 11

15:51  
  for Orchestra  
  from music to historical tableaux on the history of Karelia  
4 I Intermezzo. Moderato - Meno - Più moderato 4:03
5 II Ballade. Tempo di menuetto - Un poco più lento 7:13
  Hege Sellevåg cor anglais  
6 III Alla marcia. Moderato - Poco largamente 4:27
   
7 

The Swan of Tuonela, Op. 22 No. 2

8:16
  (Tuonelan joutsen)  
  from the Lemminkäinen Legends after the Finnish national epic Kalevala compiled by Elias Lönnrot (1802-1884)  
  Hege Sellevåg cor anglais  
  Jonathan Aasgård cello  
  Andante molto sostenuto - Meno moderato - Tempo I  
8 

Valse lyrique, Op. 96a

4:09
  Work originally for solo piano, 'Syringa' (Lilac), orchestrated by the composer  
  Poco moderato - Stretto e poco a poco più - Tempo I  
9 

Valse triste, Op. 44 No. 1

5:03
  from the incidental music to the drama Kuolema (Death) by Arvid Järnefelt (1861-1932)  
  Lento - Poco risoluto - Più risoluto e mosso - Stretto - Lento assai  
10 

Andante festivo, JS 34b

4:06
  Work originally for string quartet, arranged by the composer for strings and timpani ad libitum  
11 

Finlandia, Op. 26

8:16
  Andante sostenuto - Allegro moderato - Allegro  
  Revision of No. 7 from the music for the Press Celebrations  
  Total Time 77:20      
   
 Sir Andrew Davis
  17-20 June 2013  

Chandos CHAN 5134

Sibelius: Violin Concerto, Karelia Suite, The Swan of Tuonela, Valse lyrique, Valse triste, Andante festivo, Finlandia – Jennifer Pike, Bergen Philharmonic Orchestra, Sir Andrew Davis

Jean Sibelius is perhaps best known for his seven great symphonies but there is also a large body of music for the concert hall, the theatre, and the salon, some of which is explored in this release. The Violin Concerto in D minor, Sibelius’s only full-length concerto, marries brilliantly idiomatic writing for the solo instrument with the seriousness characteristic of the symphonies. Intensely virtuosic, it is both a dramatic and a deeply romantic work. The Swan of Tuonela comes from the suite of four Lemminkäinen Legends, inspired by traditional Finnish myths. In it the majestic motion of the swan is evoked by the arching phrases of the cor anglais. Also featured are two well-known shorter works indelibly linked with Finnish identity. Finlandia became a national emblem of the Finnish struggle for independence from Russia while Andante festivo is a staple of Finnish public occasions. The Karelia Suite is another patriotic work, the rough-hewn character of its three movements intended to evoke a folk-like authenticity.

Sir Andrew Davis continues his relationship with the Bergen Philharmonic Orchestra in this their third recording together on Chandos. They are joined in the Violin Concerto by Jennifer Pike, one of the brightest young violinists performing today.



 “The Strad Recommends”

“… Jennifer Pike has an unwavering command of the Concerto and a keen grasp of its elemental power… this is without doubt a gutsy and mature reading… The recording is first-rate: spacious yet muti-layered in its detail. A disc with popular appeal and unquestionable substance.”

Edward Bhesania – The Strad – June 2014


                        Performance *****                Recording *****

“…this [Sibelius concerto] enjoys one of the finest ever actual recordings, the richness and clarity of SACD sound revealing a wealth of detail and scale from the superb Bergen orchestra, and giving Jennifer Pike’s violin a tremendous sense of presence. And she plays it with impressive mastery… Another plus is the accompanying programme Chandos includes a generous selection of other Sibelius, admittedly pops but played with exuberant vigour. The Andante festive and Karelia Suite are particularly fine.”

 
Michael Scott Rohan – BBC Music magazine – May 2014
 
 

 “… She [Pike] draws a gleaming, silvery tone of great purity, and without excessive vibrato, from her 1708 Goffriller violin. She phrases with confidence and imagination, with enough original touches to suggest she has thought it all through herself, rather than copying other people’s recordings. All in all, a most auspicious entry into the big league. Sir Andrew Davis and the Bergen Philharmonic accompany idiomatically, and also provide half a dozen first-class performances of shorter orchestral pieces by Sibelius… This well-recorded, generously filled 78-minute CD can be recommended with confidence to connoisseurs and beginners alike…”  *****

David Mellor – The Mail on Sunday – 30 March 2014


 “…Jennifer Pike’s account stresses beauty of tone, with elegant phrasing and a smooth, precise technique that makes light of all the virtuoso challenges. She benefits from exceptional recording quality, the violin in natural balance with an accompaniment whose individual instrumental colours appear clearly within the spacious ambience … the Bergen recording brings together an attractive programme of popular Sibelius works, directed by Sir Andrew Davis with a sure touch – firm, poised rhythms, sensitive control of balance and texture and, in the more substantial pieces, a strong sense of structure. The Swan of Tuonela is powerfully evocative, with distinguished solo contributions from cor anglais and cello, and the whole orchestra brings real enthusiasm to its account of Finlandia. And the top-class quality of the recording imparts a special magic to Sibelius’s orchestral textures…”

Duncan Druce – Gramophone magazine – April 2014    




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