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CHAN 8484
Bax: Winter Legends
Released Date:
01 Jan 1987
Originally recorded in 1986
Artists:
London Philharmonic Orchestra
Bryden Thomson
Margaret Fingerhut
piano
Venue:
All Saints' Church, Tooting, London
Producer:
Brian Couzens
Engineer:
Ralph Couzens
Philip Couzens
(Assistant)
Record Label
Chandos
Genre:
Orchestral & Concertos
Total Time - 54:00
Customers who bought this album, also bought...
Bax: Symphonic Variations
Glazunov & Arensky: Concertos
Schnittke: Symphony No. 6/ Concerto grosso No. 2
Bax: Orchestral Works, Volume 2
Ferguson/ Goossens/Ireland: English Romanticism
Gregson: Blazon/ Violin Concerto/Clarinet Concerto/Stepping Out
Bax: Symphony No 4 · Tintagel
Bax: Tale the Pine Trees Knew · Into the Twilight · In the Faery Hills · Roscatha
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ARNOLD BAX
Select Complete Single Disc for
Winter Legends for Piano and Orchestra
43:19
1
I
Allegro
13:36
2
II
Lento, molto espressivo
15:11
3
III
Molto moderato - Allegro molto
7:50
4
Epilogue: Molto cantabile
6:10
5
Saga Fragment for Piano and Small Orchestra
11:13
Margaret Fingerhut piano
Bryden Thomson
3,4 April 1986
No Notes Found.
No Internal Reviews Found.
*****
T Barney
****
*
B Now
*****
Bax is perhaps best known for his tone poems, in particular Tintagel, and his seven symphonies where Chandos have given us two cycles, the first from Bryden Thomson and the LPO (Ulster Orch in the fourth) and Vernon Handley and the BBC Philharmonic. Both are highly regarded and it's difficult to give a choice between the two. Lesser known however are Bax's works for piano and orchestra which include the Symphonic Variations and the main item on this disc, Winter Legends. These are both major large scale pieces (Winter Legends lasts almost 45 minutes). But are they piano concertos or symphonies with piano? Bax described Winter Legends as "a sinfonia concertante for piano and orchestra". They were written for Bax's muse and mistress Harriet Cohen and may well have suffered from the fact he gave her exclusive rights to performance in her lifetime. The music from 1930 is somewhat dark and brooding and was originally dedicated to Sibelius but Cohen crossed out the dedication on the manuscript and put her own name there! As with his symphonies Bax uses a large orchestra with bass drum, gong, xylophone and glockenspiel. It is an exciting red blooded piece and anyone who appreciates the symphonies should enjoy. Margaret Fingerhut and Bryden Thomson approach the music with plenty of fire and attack in a no holds barred performance. The recorded sound is very resonant and some orchestral detail is lost in the massive climaxes. Highly recommended.
d coleman
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