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CHAN 9598
    2 Ratings
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CHAN 9598
Britten Choral Edition Vol. 2

Britten: Choral Edition, Vol. 2

The Classical Shop
release date: January 1998

Originally recorded in 1997

Artists:

Paul Spicer


Andrew Lumsden


Susan Drake

, harp

Finzi Singers



Venue:

Rosslyn Hill Chapel, Hampstead, London



Producer:

Richard Lee



Engineer:

Ben Connellan


Annabel Weeden

(assistant)

Record Label
Chandos

Genre:

Choir




Total Time - 71:00
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Britten Choral Edition Vol. 2

 

BENJAMIN BRITTEN

Select Complete Single Disc for
1 

Jubilate Deo in E flat major

2:38
2 

Te Deum in C major

8:36
3 

Antiphon, Op.56b

6:04
 

Missa Brevis in D major, Op.63

10:19  
4 I Kyrie 1:57
5 II Gloria 2:40
6 III Sanctus 1:35
7 IV Benedictus 1:54
8 V Agnes Dei 2:07
9 

A Wedding Anthem, Op.46

9:45
10 

Sweet the Song

2:59
 

A Ceremony of Carols, Op.28

21:48  
11 1 Procession 1:30
12 2 Wolcum Yole! 1:20
13 3 There is no Rose 2:26
14 4A That yonge child 1:41
15 4B Balulalow 1:14
16 5 As dew in Aprille 0:55
17 6 This little Babe 1:25
18 7 Interlude 3:50
19 8 In Freezing Winter Night 3:30
20 9 Spring Carol 1:07
21 10 Deo Gracias 1:09
22 11 Recession 1:31
23 

Festival Te Deum, Op.32

6:35
24 

Jubilate Deo, in C major

2:32
   
 Susan Drake , harp
 Andrew Lumsden
 Paul Spicer
   
   
   
  7 - 8 March 1996  


Following the exemplary first volume The Finzi Singers continue their prestigious Britten recording cycle.

The Finzi Singers are renowned for their interpretation of British twentieth-century choral music and are therefore the perfect exponents of this repertoire. In this album extremely popular works such as A Ceremony of Carols are brought together with lesser-known works including, Sweet was the song the Virgin Sung, Antiphon and A Wedding Anthem.

Completed in 1931, Sweet was the Song was inspired by an anthology of Christmas Carols sets a selection of medieval and early English texts for boy’s choir with harp accompaniment. The unusal choice of harp accompaniment may well have been influenced by his recent commission for a harp concerto. The instrument is treated with characteristic sensitivity to timbre.

Britten’s first canticle setting, Te Deum in C major for choir and organ, was written in July 1934 for the Choir of St Mark’s, London. Three weeks later he wrote a companion setting of Jubilate Deo, in E flat major. Both works build on the choral foundations of Stanford and Irelad as opposed to the more grandiose settings of Howells.

Commissioned to write a piece to mark the centenary of St Mark’s Church, Swindon, the Festival Te Deum is unusual for its use of independent metres in the choir and organ accompaniment.

In 1961 Britten composed a second Jubilate Deo, in C major, at the request of the Duke of Edinburgh as a companion piece to the Te Deum of 1934.

Britten was a great admirer of the sound of the Westminster Cathedral choristers cultivated by their director George Malcolm, and, on learning in 1959 of Malcolm’s forthcoming retirement, rapidly composed the Missa Brevis.

Written in 1956 for the centenary of St Michael’s Tenbury, Antiphon takes its cue from the text by George Herbert "Praised be the God of love/Here above/And here below".

A Wedding Anthem, rarely perfomed because of the occasional nature of Ronald Duncan’ text, was composed for the marriage between the Earl of Harewood and marion Stein in September 1949. It is a beautifully crafted piece for soprano and tenor soloists, choir and organ.

"... the Chandos disc [CHAN 9598] is first class in all respects. The Finzi specialize in 20th Century British Music. Their execution is flawless, and they sing with contagious enthusiasm ... Good notes, texts and translations and a superbly balanced recording complete this desirable issue."

Bauman - American Record Guide - July/August 1998


"Recommended."

James Miller - Fanfare - July/August 1998


"... All the performances by Paul Spicer’s Finzi Singers are of very high quality, the fullness of tone matched by the accuracy of pitch ..."

The Sunday Telegraph - 26 April 1998


Performance ****    Sound ****

"...Chandos’s full-bodied recording does ample justice to Paul Spicer’s accomplished group of just 18 singers, and the generous playing time is a bonus ..."

The Sunday Telegraph - 26 April 1998


Performance ****    Sound *****

"Enjoyable strong yet sensitive performances - Britten would have approved."

Michael Quinn - Classic CD - March 1998





*****
P Comerford

*****
P Laraway