Background Image Background Image Background Image
background image

CHAN 9847
    2 Ratings
Log in to review this disc
Background Image Background Image Background Image
background image
Chandos Logo
CHAN 9847

Rubbra: Four Mediaeval Latin Lyrics

The Classical Shop
release date: September 2000

Recorded in 24 Bit / 44.1Khz
album available as a Studio File
Originally recorded in 1999

Artists:

City of London Sinfonia


Richard Hickox


Stephen Varcoe

baritone*

Academy of St Martin in the Fields Chorus



Venue:

Blackheath Halls, London



Producer:

Ralph Couzens



Engineer:

Peter Newble


Richard Smoker

(Assistant)

Record Label
Chandos

Genre:

Choir




Total Time - 55:20
Background Image Background Image Background Image
background image
Customers who bought this album, also bought...
CHAN%2010570.jpeg
Elgar: Crown of India/ Imperial March/Coronation March
CHAN%2010423.jpeg
Rubbra: Missa cantuariensis/ Dormi Jesu/That Virgin's Child Most Meek
CHAN%200732.jpeg
Palestrina: Offertoria
CHAN%207033.jpeg
Harty: The Children Of Lir
CHAN%2010203.jpeg
Myslivecek: Symphonies
CRD%203462.jpeg
Organ and Choral Works
CHAN%2010211.jpeg
Scott: Neptune/ Symphony No. 3/Piano Concerto
GMCD%207131.jpeg
Choral and Organ Works
GMCD%207161.jpeg
Kodaly: Choral Works
CHAN%200679.jpeg
Palestrina: Music for Holy Saturday

Scroll Scroll

background image
SELECT YOUR MUSIC FORMAT FROM THE OPTIONS BELOW*
onquestion marklosslessquestion markStudio Fileoffquestion mark 
*if you purchase a higher level format, we include the lower formats free of charge
Please Note: On Mp3 format an unavoidable click may be heard on segue track breaks, to avoid this issue please select lossless or better
 
DOWNLOADS
Buttonbooklet
 

EDMUND RUBBRA

(1901-1986)
Select Complete Single Disc for
   
premiere recording
1 

Song of the Soul (in intimate communication and union with the love of God), Op. 78†

8:40
   
 

Four Mediaeval Latin Lyrics, Op. 32*

12:05  
  for baritone and string orchestra  
2 I Rondel: Allegro vivace e sempre leggiero 2:23
3 II Plaint: Lento 3:03
4 III Pastoral: Giocoso 1:19
5 V Lament: Lento 5:08
   
 

Inscape, Op. 122†

16:50  
  Suite for mixed choir, strings and harp  
6 I Pied Beauty: Andantino, ma con moto 2:51
7 II The Lantern out of Doors: Lento 6:17
8 III Spring: Allegro moderato 3:09
9 IV God's Grandeur: Largo e grandioso - 3:49
10 V Epilogue: Andantino (con moto) 0:31
   
premiere recording
11 

Veni, creator Spiritus, Op. 130†

7:06
  for mixed chorus and brass  
   
premiere recording
 

Advent Cantata: Natum Maria Virgine, Op. 136*†

11:04  
12 Recitative: Lento assai - 2:49
13 Aria (L'istesso tempo) - 1:57
14 Acrostic Hymn: Con moto - 3:17
15 Chorale: Andante e sereno 3:01
Following Chandos’ highly successful series of Rubbra’s Symphonies, Richard Hickox conducts the City of London Sinfonia and the Academy of St Martin in the Fields Chorus in this composer’s choral works.

There is little to rival this disc with three of the works featured being premiere recordings.

It also features the only currently available recording of Inscape, Op. 122 and there is only one other recording available of Four Mediaeval Latin Lyrics, Op. 32.

Chandos is highly regarded for showcasing English composers and the Rubbra series is no exception, receiving many accolades including a Penguin Guide Rossette, Penguin Guide three-star reviews, numerous Gramophone awards nominations and also regularly featuring as a Gramophone Editor’s Choice.



Rubbra’s own deep interest in religious and philosophical ideas, together with his knowledge and understanding of both Renaissance and Eastern music, gave all his work a spiritual dimension which is most individual. In selecting texts, Rubbra was particularly attracted to those within the mystical tradition; writers whose strong sense of the spiritual was expressed through the sensual. This is reflected in Rubbra’s own sound-world which is at once both deeply restrained yet deeply passionate.

For the earliest work on this disc, however, the Four Medieval Latin Lyrics, Rubbra chose secular Latin texts from the Carmina Burana manuscript and from the poetry of Peter Abelard (1079-1142). These were originally set for chorus but regarded as too difficult in this form and revised for baritone and string orchestra. They had their first performance on 11 March 1947.

The choral Song of the Soul dates from 1952 and is set for six-part choir and string orchestra, with harp and timpani. The first performance was given by the London Bach Society under Paul Steinitz. The setting is far more homophonic than is usual with Rubbra, and the use of chromaticism to emphasise the sensuous nature of the text produces subtle dissonances.

Inscape (1964) was commissioned for the Stroud Festival of Religious Drama and Arts and first performed at the festival on 24 October 1965. Rubbra sets four poems by Gerard Manley Hopkins (1848-1889) which date from 1877. The form is based loosely on that of a sinfonietta and an accompaniment of strings and harp is used to provide, in Rubbra’s own words, ‘an enriching aura’ for the choir.

Veni creator Spiritus, a four-part choir and brass setting, dates from 1965-6 and was commissioned by the BBC. Rubbra deliberately avoids an exuberant setting and instead concentrates on harmonic growth from a hushed beginning.

The Advent Cantata: Natum Maria Virgine (1968) is written for baritone, four-part choir and small orchestra. Rubbra’s response to this poem is both poignant and direct. Musically continuous it falls into four sections: recitative; aria; acrostic hymn; chorale.


‘Hickox’s performances of all three works here… are models of clarity and articulation… the series will fill a gap in the catalogue that a noisy lobby has been demanding for years.’
The Guardian on CHAN 9401 (Symphonies Nos 4, 10 & 11)

‘Throughout it is difficult to imagine how the performances could be bettered and the recording is clear and warm.
International Record Review

Gramophone Critic's Choice of 2001 new releases
Gramophone

‘Thanks to all concerned are in order – for Hickox’s perceptive interpretation, the players’ dedication and sensitivity and last but not least, the exemplary recorded sound that we rather take for granted on this label. Strongly recommended.’
Gramophone on CHAN 9481 (Symphonies Nos 2 & 6)




*****
M Hawkins

*****
J Smit