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CHAN 9886
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CHAN 9886

Hummel: Piano Concertos

The Classical Shop
release date: February 2001

Recorded in 24 Bit / 44.1Khz
album available as a Studio Master
Originally recorded in 2000

Artists:

London Mozart Players


Howard Shelley

piano/director

Venue:

St Silas The Martyr, Kentish Town, London



Producer:

Rachel Smith



Engineer:

Jonathan Cooper


Richard Smoker

(Assistant)

Record Label
Chandos

Genre:

Piano


Orchestral & Concertos

Total Time - 67:19
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JOHANN NEPOMUK HUMMEL

(1778-1837)
Select Complete Single Disc for
   
 

Piano Concerto in F major, Op. post. I

28:17  
  in F-Dur - en fa majeur  
1 I Allegro moderato 13:44
2 II [ ] 6:30
3 III Allegro con brio 8:00
   
 

Theme and Variations in F major, Op. 97

16:01  
  in F-Dur - en fa majeur  
4 Theme 1:10
5 Variation I 1:09
6 Variation II 1:09
7 Variation III: Sostenuto ed espressivo 2:30
8 Variation IV 1:02
9 Variation V 1:04
10 Variation VI: Poco larghetto con espressione 3:47
11 Variation VII: Allegretto - Cadenza - Tempo I 4:05
   
premiere recording
 

Piano Concerto in A major, S4/W24

23:14  
  in A-Dur - en la majeur  
12 I [ ] 9:40
13 II Romanze: Adagio 6:32
14 III [ ] 6:57
The two Hummel Piano concertos and Theme and Variations recorded here are new to the international catalogue. There are no competing versions.

Howard Shelley’s performances of Hummel have been praised as ‘excellent’ (Hi-fi News) and for his ‘first-class playing’ (Fono Forum).

This is the fourth recording in a growing series of Hummel concertos, which have become reference recordings for those who want to know this important composer better.



Johann Nepomuk Hummel was born in Bratislava in 1778 but moved to Vienna at the age of eight, by which time he was already a precociously accomplished musician. So impressed was Mozart by him that he gave him free tuition and, for a time, even board and lodging. On Mozart’s advice Hummel and his father embarked on a five-year concert tour of Northern Europe and Britain in the course of which they visited London, where Hummel may have had lessons with Clementi.

Back in Vienna in 1793, Hummel continued his studies. Among his teachers was Haydn from whom he eventually took over the position of Kapellmeister to Prince Nickolas Esterházy. He later held similar positions at Stuttgart and Weimar though, amazingly, he also managed to resume and pursue his international career as a solo pianist for much of the time from 1814 onwards. He seemed to have possessed keen business instincts as well as abundant energy.

By the 1820s, however, public taste was changing: Hummel’s elegant melodies and linear textures, and general sense of musical order appeared old-fashioned in the face of newer trends. The 1830s brought further but fewer successes for him as a composer and performer. Soon illness caused his decline and he died in 1837.

Hummel’s prolific output comprises twenty or more works for solo instruments and orchestra, as well as operas, ballets, church and chamber music in addition to a wealth of material for piano including a Piano Method said to have sold thousands of copies within days of publication. He enjoyed the esteem and friendship of many other celebrated composers including Schubert, Chopin and Beethoven. In his heyday his reputation as a pianist was almost legendary: at one concert members of the audience were reported to have stood on their chairs to get a better view of his double trills. And in 1822 John Field, hearing him perform a brilliant improvisation and unaware of his identity, is said to have cried out, ‘Either you are the Devil, or you are Hummel!’



Shelleys performances combine spirit and finesse…
Classic FM Magazine ‘Record of the Month’

Hummel is a fine composer who merits more that a listen or two. And here, as performed by Howard Shelley, the case is eloquently made that he is truly beyond merely that.’
Fanfare

‘And it receives eloquent advocacy from Howard Shelley, with his aristocratic command of the glittering Keyboard pyrotechnics’.
Fanfare

‘Howard Shelley, exemplary and imperturbable in his dual role as pianist and conductor.’
Radio 3 Record Review on CHAN 9558 (Hummel – Concerto in G major, etc.)

As ever, Howard Shelley proves a supremely eloquent advocate of the composer, with his refined, shapely phrasing, crystalline textures…
BBC Music Magazine

‘Howard Shelley does it all wonderfully… Excellent sound. An all-round delight.’
BBC Music Magazine

…eloquent advocacy from Howard Shelley, with his aristocratic command of the glittering keyboard pyrotechnics.
The Daily Telegraph

‘Howard Shelley shows the true worth of an underestimated composer.’
Classic CD on CHAN 9687 (Hummel – Piano Concerto No. 4, etc)




*****
P Johnson

*****
C Shaw