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CHAN 9935
Alwyn: Piano Concertos Nos 1 & 2
Released Date:
01 Jun 2001
Originally recorded in 2000
Artists:
London Symphony Orchestra
Richard Hickox
Howard Shelley
piano*
Venue:
St Jude on the Hill, Hampstead, London
All Saints' Church, Tooting, London
Producer:
Brian Couzens
Engineer:
Ben Connellan
(
Overture to a Masque
)
Ben Connellan
(Assistant: other works)
Richard Smoker
(Assistant: Piano Concerto No. 1,
Overture to a Masque
)
Ralph Couzens
(other works)
Record Label
Chandos
Genre:
Piano
Orchestral & Concertos
Total Time - 75:12
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SELECT YOUR MUSIC FORMAT FROM THE OPTIONS BELOW*
*when you purchase a lossless format, we include the MP3 free of charge
Please Note:
On Mp3 format an unavoidable click may be heard on
segue
track breaks, to avoid this issue please select lossless
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DOWNLOADS
WILLIAM ALWYN
(1905-1985)
Select Complete Single Disc for
1
Piano Concerto No. 1 (1930)*
15:06
Allegro deciso - Adagio e tranquillo - Tempo primo - Adagio molto e tranquillo
Piano Concerto No. 2 (1960)*
32:14
2
I
Allegro
10:15
3
II
Andante
9:00
4
III
Allegro con fuoco
12:57
5
Overture to a Masque (1940)
9:21
Allegro
Elizabethan Dances (1957)
18:35
6
I
Moderato e ritmico
3:00
7
II
Waltz Tempo. Languidamente
2:19
8
III
Allegro scherzando (ma non troppo allegro)
1:42
9
IV
Moderato
4:27
10
V
Poco allegretto e semplice
3:35
11
VI
Allegro giocoso
3:30
No Notes Found.
‘Howard Shelley is a splendid soloist, fully up to the rhetoric and touching the listener when the passion subsides, creating a haunting stillness at the very end. Again splendid recording.’
The Penguin Guide to Compact Discs
‘Howard Shelley plays with brilliance and much sensitivity, and Alwyn admirers will be glad to have the work available on record …’
The Penguin Guide to Compact Discs
'Shelley rises to the technical challenges of both concertos with verve and authority, and is well served by Hickox's accompaniments and the big sound of Chandos' recording.'
International Piano Magazine
‘Hickox is naturally attuned to the idiom and it obviously fires him …Howard Shelley combines a real sweep with gentle, introspective lyricism. The recording is on a comparably large scale and is very believable.’
Gramophone
****
*
J Blackwood
*****
A Syner
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