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CM 6253
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CM 6253
Guitar Duo Recital: Duo Fandango - DE FALLA, M. / RODRIGO, J. / ANDIA, R. (Fandango!)

Guitar Duo Recital: Duo Fandango - DE FALLA, M. / RODRIGO, J. / ANDIA, R. (Fandango!)

The Classical Shop
release date: March 2012


Artists:

Duo Fandango

Ensemble

Duo Fandango



Record Label
Carpe Diem

Genre:

Instrumental


Classical

Total Time - 59:02
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Guitar Duo Recital: Duo Fandango - DE FALLA, M. / RODRIGO, J. / ANDIA, R. (Fandango!)

     
Select Complete Single Disc for
     
 

MANUEL DE FALLA

1 

La vida breve (version for 2 guitars)

3:44
     
 

El sombrero de 3 picos (The 3-Cornered Hat) (arr. for 2 guitars)

 
2 Part II: Dance of the Corregidor 3:44
     
3 Part II: The Miller's Dance: Ferruca 2:55
     
 

JOAQUIN RODRIGO

4 

Concierto de Aranjuez (arr. for 2 guitars)

11:15
     
 

RAFAEL ANDIA

 

Canciones flamencas antiguas

 
5 Anda Jaleo 2:05
     
6 El Cafe de chinitas 2:57
     
7 Zorongo 4:02
     
8 Las tres Hojas 1:06
     
9 Nana de Sevilla 3:54
     
10 Los cuatros Muleros 1:58
     
 

JOAQUIN RODRIGO

11 

4 Piezas

1:44
     
 

Tonadilla

 
12 I. Allegro ma non troppo 2:51
     
13 II. Minueto pomposo 5:55
     
14 III. Allegro vivace 4:40
     
 

MANUEL DE FALLA

 

El amor brujo (Love, the Magician) (arr. for 2 guitars)

 
15 Romance du pecheur 2:14
     
16 Cancion del fuego fatuo 1:35
     
17 Danza del terror 2:23
     
  Duo Fandango Ensemble


The range of original literature for guitar duo is limited; here Rafael Andia’s Canciones flamenco antiguas and Joaquín Rodrigo’s Tonadilla are pieces that were originally written for this instrumentation. Therefore it was necessary that for such a Spanish program we find pieces with other instrumentations that could be adapted for guitar duo. Thus we came across Manuel de Falla’s orchestral music which can be excellently set on guitar, the idiomatic instrument of Spanish music—especially since the orchestration of pieces we were particularly careful to preserve the significant and characteristic voices and elements of the pieces and to make adjustments für specific guitar techniques and timbres. The basis of our work is always the orchestral score and not the piano score because of the frequent omission of important voices in the latter. The duo music arises from the accompanying voices on both guitars.
 

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